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H2 | On/Off Design |
H2 | Type Paris 2024 |
H2 | Call for Entries Yearbook of Type #7 |
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H2 | Die typografische Komposition Duplicate text |
H2 | Limited Special Edition Ukraine: Sticker Set + Slanted Magazine #43–Ukraine |
H2 | Grafikmagazin 02.24 – Education |
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H2 | SPOD #8 Schwierige Formen |
H2 | SPOD #7 Design der Knappheit |
H2 | Die typografische Komposition Duplicate text |
H2 | Limited Special Edition Ukraine: Sticker Set + Slanted Magazine #43–Ukraine Duplicate text |
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H2 | SPOD #7 Design der Knappheit Duplicate text |
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H2 | Solomiya No. 3 |
H2 | Slanted Magazine #43—Ukraine |
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H2 | RUMI print |
H2 | Frederick Kiesler: Galaxies |
H2 | SPOD #9 Zur Dialektik des Social Design |
H2 | Jytte Høy: Hair Net Geometry |
H3 | Die typografische Komposition Duplicate text |
H3 | Making of Slanted Magazine #43—Ukraine Duplicate text |
H3 | Corporate Publishing: Aesthetics and Design Principles in Print Media Duplicate text |
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H3 | 855-HOW-TO-QUIT-(OPIOIDS) |
H3 | Corporate Publishing: Strategic Conception of Print Media |
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H3 | see conference 16 |
H3 | New Team Member: Greta Landmann |
H3 | Forward Festival Hamburg 2024 |
H3 | 100 Beste Plakate 2023 |
H3 | FURE Conference 2024 |
H3 | Design Month Graz |
H3 | Call for Submissions: TYPE FASHION Duplicate text |
H3 | Slanted Special Issue Georgia/Armenia Duplicate text |
H3 | Das Plakat isst eine Fläche. Duplicate text |
H3 | Tender Digitality |
H3 | Limited Slanted Notebook BK LVRS |
H3 | Aesthetics Imperfections |
H3 | Slanted Summer School Vol. 1—Energy |
H3 | BK LVRS |
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H3 | Some Magazine #17—Look |