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| H2 | Jeremy O Harris offers chance to "be his date" to Slave Play in support of Palestinian aid |
| H2 | Eastern Angles launches work-experience scheme across Ipswich arts organisations |
| H2 | The Little Big Things added to NT streaming platform |
| H2 | Nica Burns: British musical theatre is in the best place ever Duplicate text |
| H2 | Rob Madge brings show about 'raw' Broadway delay to West End |
| H2 | Chinonyerem Odimba among SOLT's second batch of associate members |
| H2 | Sales soar to nearly £200m for Andrew Lloyd Webber's theatres |
| H2 | Six the Musical hosts West End and Broadway post-show karaoke |
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| H2 | Playwrights win south of France residency with Shelagh Stephenson |
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| H2 | Opening Night with Sheridan Smith to close early |
| H2 | Kinky Boots returns with new production starring Johannes Radebe |
| H2 | Opening Night with Sheridan Smith to close early Duplicate text |
| H2 | Education secretary cuts university arts funding to prioritise STEM courses |
| H2 | Olivia Colman comments ignite debate over self-tapes |
| H2 | Petition demands 'protection' for Romeo and Juliet star after racist backlash |
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| H2 | Jamie Lloyd Company hits out at 'barrage' of racism directed at cast member |
| H2 | Kinky Boots returns with new production starring Johannes Radebe Duplicate text |
| H2 | Exclusive: Birmingham Hippodrome announces 15-strong cohort of new-musical writers |
| H2 | National secures warehouse to store costumes and scenery in sustainability drive |
| H2 | Watermill collaborates with Chicago theatre on American premiere of Lord of the Rings |
| H2 | Full cast announced for Romeo and Juliet starring Tom Holland |
| H2 | Sales soar to nearly £200m for Andrew Lloyd Webber's theatres Duplicate text |
| H2 | West End's former Saville Theatre wins support for Cirque du Soleil revamp |
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| H2 | Long Day's Journey Into Night starring Brian Cox – review round-up |
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| H2 | Long Day's Journey Into Night starring Brian Cox – review round-up Duplicate text |
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| H2 | Self-censorship doesn’t only silence voices but erodes moral authority |
| H2 | How do the Olivier Awards actually work? Duplicate text |
| H2 | Conservative approach to arts education makes no sense |
| H2 | Hamlet, April 10, 2024 |
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| H2 | Seize the election opportunity to petition your MP – this week in Your Views |
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| H2 | Quotes of the week April 10: Björn Ulvaeus, Francesca Mills, Luke Barnes and more |
| H2 | MJ the Musical: will ethical concerns affect the show's prospects? |
| H2 | What leadership lessons have we learned from the pandemic and Black Lives Matter? |
| H2 | Happy birthday, Starlight Express – a love letter to a true pioneer |
| H2 | Lack of a national skills development picture is hindering theatre's progress |
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| H2 | Cancel cultures: theatre censorship around the world |
| H2 | Is ACE project funding working for artists? |
| H2 | Mission impossible? Turning fanciful visions into theatrical reality Duplicate text |
| H2 | The D word: what now for diversity and inclusion in theatre? |
| H2 | To the underworld and back again: the journey of Anaïs Mitchell's Hadestown |
| H2 | Cancel cultures: theatre censorship around the world Duplicate text |
| H2 | Is ACE project funding working for artists? Duplicate text |
| H2 | The D word: what now for diversity and inclusion in theatre? Duplicate text |
| H2 | To the underworld and back again: the journey of Anaïs Mitchell's Hadestown Duplicate text |
| H2 | Anthony Welsh: ‘Theatre is exhausting, but I want to give myself 100% to whatever I do’ |
| H2 | Raw Material: the producing powerhouse shaking up the Scottish theatre scene |
| H2 | Meet cute: 36 hours in NYC with romcom musical Two Strangers (Carry a Cake Across New York) |
| H2 | Luke Thompson: ‘Theatre is about being in a room, exchanging emotions – I worry social media is spoiling that’ |
| H2 | 'Rural life is a fragile tapestry, like the arts' – curious directive on digging into farming for its latest show |
| H2 | Chuchu Nwagu: ‘Seeing Red Pitch was the first time I’d sat in a theatre and just breathed’ |
| H2 | Tim McInnerny: ‘I would rather get paid a little to do a great part than a lot to do a little part’ |
| H2 | Ask the audience: Has consumer confidence returned? |
| H2 | Olivier Awards 2024: meet this year’s industry recognition award winners |
| H2 | Changing the tune: the rural Scottish writing residency reinventing how musicals are made |
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| H2 | Creative Well's Nadine Page: 'Prioritise self-care and mental well-being alongside artistic pursuits' |
| H2 | Conrad Murray: 'If you have ideas and characters that you are dying to play, let people see them' |
| H2 | Could the US approach to tuition-free drama schools spread to the UK? |
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| H2 | Seven Stages Podcast: Episode 8, Es Devlin |
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| H2 | Theatremaker Tunde Adegbola: 'I want to prove that there is an audience for a show like MW the musical!' |
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| H2 | Petition demands 'protection' for Romeo and Juliet star after racist backlash Duplicate text |
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| H2 | Player Kings review Duplicate text |
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