Andrewlawrenceking.com - SEO Checker

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Overview of the SEO Check
Meta information
79% 
Page quality
49% 
Page structure
58% 
Link structure
1% 
Server
65% 
External factors
100% 
SEO Score
Response time
1.44 s
File size
500.80 kB
Words
19030
Media files
108
Number of links
424 internal / 44 external

Task list of SEO Improvements

Meta specifications

Title
(Critically important)
Andrew Lawrence-King | Text, Rhythm, Action! (Historically Informed Performance) & The Flow.Zone
The page title should be shorter than 580 pixels. It is 899 pixels long. Optimize title
There are no duplicate words in the title
Meta description
(Critically important)
Text, Rhythm, Action! (Historically Informed Performance) & The Flow.Zone
The length of the meta description is perfect. (465 pixels out of 1000 max pixel length)
Crawlability
(Critically important)
There are no problems in accessing the website.
Canonical URL
(Important)
No canonical link is specified.
Language
(Somewhat important)
Language detected in text: en
Language defined in HTML: en
Server location: United States of America
The following language is defined by HTML: en
Alternate/Hreflang Links
(Somewhat important)
There are no alternate links specified on this page.
Other meta tags
(Somewhat important)
There is no rel next meta tag on this page.
There is no rel prev meta tag on this page.
Domain
(Somewhat important)
The domain name is very long.
The domain is no subdomain.
The domain does not contain non-latin characters.
Page URL
(Somewhat important)
No parameters were found in the URL.
No session ID was found in the URL.
The URL does not have too many subdirectories.
Charset encoding
(Somewhat important)
The charset encoding (UTF-8) is set correctly.
Doctype
(Nice to have)
The doctype HTML 5 is set correctly.
The doctype is placed at first in the HTML code.
Favicon
(Nice to have)
The favicon is linked correctly.

Meta tags

NameValue
viewportwidth=device-width
robotsmax-image-preview:large
generatorWordPress.com
theme-color#6b152f
application-nameAndrew Lawrence-King
msapplication-windowwidth=device-width;height=device-height
msapplication-tooltipText, Rhythm, Action! (Historically Informed Performance) & The Flow.Zone
descriptionText, Rhythm, Action! (Historically Informed Performance) & The Flow.Zone
langen
og:typewebsite
og:titleAndrew Lawrence-King
og:descriptionText, Rhythm, Action! (Historically Informed Performance) & The Flow.Zone
og:urlhttps://andrewlawrenceking.com/
og:site_nameAndrew Lawrence-King
og:imagehttps://s0.wp.com/i/blank.jpg
og:image:altEmpty
og:localeen_US

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Page quality

Content
(Critically important)
The content of this page is too large (19030 words). Maybe the content could be divided into several pages.
These Typos were found:
  • acheive => achieve
  • pertubation => perturbation
  • perfomance => performance
  • ouevre => oeuvre
23.2% of the text are stop words.
Keywords used in the page title are also used in the page content. That's good!
Words from the H1 heading are used in the page content.
The page contains a listing, which indicates a good text layout.
275 paragraphs were found on this page.
No placeholders texts or images were found.
There are no duplicates on the site.
The average number of words per sentence of 24.53 words is good.
Frames
(Critically important)
This page does not use a frameset.
Mobile optimization
(Somewhat important)
This page loads 6 JavaScript files. This may affect the load time negatively.
The file size of the HTML document is very large (500.8 kB).
A viewport "width=device-width" is provided.
At least one Apple touch icon is specified.
Bold and strong tags
(Somewhat important)
The following tag is repeated too often: enargeia
Image SEO
(Somewhat important)
107 images have no alt attribute. The content of alt attributes is used by search engines.
Social Networks
(Nice to have)
This page is optimized perfectly for social networks.
Additional markup
(Nice to have)
This page uses Google authorship information without an image.
HTTPS
(Somewhat important)
This website uses HTTPS to protect privacy and integrity of the exchanged data.
All included files are also transferred via HTTPS.

Media list

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Page structure

H1 heading
(Critically important)
Andrew Lawrence-King
The H1 heading is perfect.
Headings
(Important)
Some headings occur twice on the page.
There are 87 headings on the page. The amount of headings should be in a more proper relation to the amount of text.
Some headings do not have any content.

Heading structure

Heading levelContent
H1 Andrew Lawrence-King
H1 Post navigation
H1 Enargeia – Visions in Performance
H1 Three ways to make Early Music more expressive (And is there a ‘true way’?)
H1 The Wrong Trousers: can new training re-purpose Early Music skills for Historically Informed Performance?
H1 Measuring musical time in late-17th-century Italy
H1 Altri canti senza battuta: Madrigals of Love, War & Tactus
H1 Passaggi: Della Casa & Bovicelli on the True Way to make Divisions
H1 Time for ‘Messiah’
H1 Making Time for beautiful singing: a lost practice
H1 Cantar con gratia – a forgotten ornament?
H1 Music of an Earlier Time: in respect of before and after
H1 Post navigation Duplicate text
H1 ANDREW LAWRENCE-KING
H1 Search this Blog for content
H1 Andrew Lawrence-King Duplicate text
H1 Visit the websites
H1 Like ALK’s blog on Facebook
H1 Follow Blog via Email
H1 Index
H2 Text, Rhythm, Action! (Historically Informed Performance) & The Flow.Zone
H2 The Bullet-Proof Musician
H2 Three Ways to Teach
H2 What is ‘Expressive’?
H2 Tears & Laughter
H2 Three ways to learn: Listening
H2 Detail
H2 Visions
H2 Music of the Spheres
H2 Last of All
H2 Vocal Scores
H2 Conductors
H2 Transferrable skills
H2 Visual beat
H2 Listening without a score
H2 Directing
H2 Aural training
H2 Pre-requisites
H2 Context
H2 Tempo
H2 Notation
H2 Proportions
H2 Monteverdi’s notation
H2 Badalla’s notation
H2 Tempo-modifying words
H2 Handel’s notation
H2 Handel’s Proportions
H2 Handel’s Time Signatures
H2 Modifying words
H2 FOR MODERN PERFORMERS
H2 WARNING!
H2 Badalla’s Time Signatures
H2 RHETORIC
H2 Word by word, movement by movement
H2 Summary
H2 Fundamental Tactus: minim = 60
H2 Proportions Duplicate text
H2 Binary Tactus – ternary metre
H2 Tweaking the Tactus
H2 Changing the Tactus according to the affetto
H2 Change of affetto word by word
H2 Dispositione – technique
H2 Style in peformance
H2 Del portar la minuta a tempo.
H2 Tactus for Divisions
H2 From renaissance to early Baroque
H2 Singers can sing off the beat
H2 Tactus (and continuo) continue steadily
H2 Implications
H2 How to ‘add beauty’
H2 Highlight by delaying & sustaining
H2 How to carry the voice
H2 Subtleties
H2 Accenti for seconds
H2 Accenti for fourths & fifths
H2 Other ways to beautify
H2 Significance
H2 Empty heading
H2 Empty heading
H3 Share this:
H3 Share this: Duplicate text
H3 Share this: Duplicate text
H3 Share this: Duplicate text
H3 Share this: Duplicate text
H3 Share this: Duplicate text
H3 Share this: Duplicate text
H3 Share this: Duplicate text
H3 Share this: Duplicate text
H3 Share this: Duplicate text
H3 Empty heading
Some anchor texts are used more than once.
105 links don't have an anchor text.
There are 4 links with a trivial anchor text.
The number of internal links is ok.
None of the anchor texts is too long.
All internal links are not using dynamic parameters.
There are too many external links (44) on this page.

Found links on this page

LinkAttributesAnchor text
https://andrewlawrenceking.com/Andrew Lawrence-King
A-TITLE Andrew Lawrence-King
https://andrewlawrenceking.com/No Text
/page/2/← Older posts
/2022/12/29/enargeia/Enargeia – Visions in Performance
/author/andrewlawrenceking/Text duplicate Andrew Lawrence-King
A-TITLE View all posts by Andrew Lawrence-King
/2022/12/29/enargeia/Anchor No Text
/wp-content/uploads/2015/10/ar...No Text
http://www.ilcorago.com/New window External Trivial anchor text
here
/2015/10/30/text-rhythm-action...read more here
/wp-content/uploads/2022/12/en...No Text
/2022/12/29/enargeia/?share=fa...New window Nofollow Facebook
A-TITLE Click to share on Facebook
/2022/12/29/enargeia/?share=li...New window Nofollow LinkedIn
A-TITLE Click to share on LinkedIn
/2022/12/29/enargeia/New window Nofollow Print
A-TITLE Click to print
/2022/12/29/enargeia/?share=tw...New window Nofollow Twitter
A-TITLE Click to share on Twitter
/tag/arianna/Arianna
/tag/dream-theory/Dream Theory
/tag/historical-action/Historical Action
/tag/history-of-emotions/History of Emotions
/category/introductions/Introductions
/category/history-of-emotions/...Moving the Passions
/category/history-of-emotions/...Music and Philosophy
/tag/rhetoric/Rhetoric
/tag/text/Text
/tag/baroque/baroque
/tag/baroque-music/Baroque Music
/tag/baroque-opera/Baroque Opera
/tag/early-music/Early Music
/tag/early-opera/Early Opera
/tag/emotions/Emotions
/tag/hip/HIP
/tag/history-of-emotions/Text duplicate History of Emotions
/tag/muovere-gli-affetti/muovere gli affetti
/2022/12/29/enargeia/Dec·29
A-TITLE Permalink to Enargeia – Visions in Performance
/2022/07/28/three-ways/Three ways to make Early Music more expressive (And is there a ‘true way’?)
/author/andrewlawrenceking/Text duplicate Andrew Lawrence-King
A-TITLE View all posts by Andrew Lawrence-King
/2022/07/28/three-ways/Anchor No Text
https://bulletproofmusician.co...New window External Anchor Three ways to teach students how to play more expressively (and is there a “best” way?)
/2013/08/04/music-expresses-em...Music expresses emotions?
https://bulletproofmusician.com/New window External The Bullet-Proof Musician
https://doi.org/10.2307/3653453New window External Robert Woody’s (2006) experiment
/2013/08/18/terms-of-expression/New window Terms of Expression.
https://orcid.org/0000-0002-32...New window External Dorottya Fabian
https://www.press.umich.edu/78...New window External Subdomain The Player’s Passion
/wp-content/uploads/2017/08/pl...No Text
/2017/08/31/emotions-in-early-...Emotions in Early Opera
/2015/10/30/text-rhythm-action...New window Text, Rhythm, Action.
/wp-content/uploads/2022/07/co...No Text
/2022/07/13/training/New window Re-purpose Early Music skills
https://www.passaggi.co.uk/New window External Passaggi
http://www.artsandhumanities.o...New window External this article by Laslo Stacho
/2015/04/19/flow-the-oxford-pa...New window Flow, the Oxford Papers
/2014/09/16/flow-2014-the-camb...New window Flow, the Cambridge Talks (2014)
/2014/10/17/flow-accessing-sup...Flow, making Connections.
http://www.theflow.zone/New window External Subdomain The Flow-Zone
/2014/12/11/the-theatre-of-dre...New window The Theatre of Dreams: La Musica hypnotises the heroes.
/2018/07/19/technique-terminol...New window read
/2018/07/19/technique-terminol...Trivial anchor text
more
/wp-content/uploads/2014/02/de...No Text
https://www.press.umich.edu/78...New window External Subdomain Text duplicate The Player’s Passion
/wp-content/uploads/2017/08/th...No Text
/wp-content/uploads/2014/08/ha...No Text
/wp-content/uploads/2022/07/mu...No Text
/wp-content/uploads/2020/05/cp...No Text
/wp-content/uploads/2022/07/es...No Text
/2013/08/26/what-is-music/New window What is Music?
/2015/01/25/play-it-again-sam-...New window Le Nuove Musiche
/2018/01/28/the-practice-of-ta...New window Tactus Workshop
/2018/01/28/the-practice-of-ta...No Text
/wp-content/uploads/2021/11/mo...No Text
/2022/07/28/three-ways/?share=...New window Nofollow Text duplicate Facebook
A-TITLE Click to share on Facebook
/2022/07/28/three-ways/?share=...New window Nofollow Text duplicate LinkedIn
A-TITLE Click to share on LinkedIn
/2022/07/28/three-ways/New window Nofollow Text duplicate Print
A-TITLE Click to print
/2022/07/28/three-ways/?share=...New window Nofollow Text duplicate Twitter
A-TITLE Click to share on Twitter
/tag/dream-theory/Text duplicate Dream Theory
/tag/flow/Flow
/tag/history-of-emotions/Text duplicate History of Emotions
/category/history-of-emotions/...Text duplicate Moving the Passions
/category/history-of-emotions/...Text duplicate Music and Philosophy
/tag/rhetoric/Text duplicate Rhetoric
/tag/rhythm/Rhythm
/tag/text/Text duplicate Text
/tag/early-music/Text duplicate Early Music
/tag/emotions/Text duplicate Emotions
/tag/hip/Text duplicate HIP
/tag/history-of-emotions/Text duplicate History of Emotions
/tag/muovere-gli-affetti/Text duplicate muovere gli affetti
/2022/07/28/three-ways/Jul·28
A-TITLE Permalink to Three ways to make Early Music more expressive (And is there a ‘true way’?)
/2022/07/13/training/The Wrong Trousers: can new training re-purpose Early Music skills for Historically Informed Performance?
/author/andrewlawrenceking/Text duplicate Andrew Lawrence-King
A-TITLE View all posts by Andrew Lawrence-King
/2022/07/13/training/Anchor 3
/wp-content/uploads/2022/07/th...No Text
/wp-content/uploads/2022/07/au...No Text
/2015/01/25/play-it-again-sam-...More on Caccini here.
/wp-content/uploads/2022/07/te...No Text
/2013/08/04/music-expresses-em...New window Read more here…
/wp-content/uploads/2022/07/mi...No Text
/wp-content/uploads/2022/07/pu...No Text
/wp-content/uploads/2021/11/za...No Text
/2021/11/20/making-time-for-be...Read more about ‘Making Time for Beautiful Singing’ here
/wp-content/uploads/2021/11/za...No Text
/wp-content/uploads/2022/07/pu...No Text
/wp-content/uploads/2022/07/tr...No Text
/2021/12/28/passaggi/New window read more about Passaggi
/2015/09/27/logical-captain-th...see Peri (1600) here
/2013/10/08/sparrow-flavoured-...more on Agazzari here
/wp-content/uploads/2017/11/di...No Text
https://www.amazon.com/Before-...New window External Peter Holman’s recent book
/2018/01/28/the-practice-of-ta...read more about Tactus here
/wp-content/uploads/2022/07/co...No Text
/wp-content/uploads/2021/11/ta...No Text
/2021/05/05/music-of-an-earlie...according to Aristotelean philosophy, read more here
/wp-content/uploads/2021/11/ta...No Text
/wp-content/uploads/2022/07/sh...No Text
/wp-content/uploads/2013/09/ga...No Text
http://tactus workshop/New window External See the Tactus Workshop Manual for more suggestions.
/2021/11/17/cantar-con-gratia-...New window Read more here.
/wp-content/uploads/2014/08/ha...No Text
/wp-content/uploads/2021/11/el...No Text
/2015/01/25/play-it-again-sam-...New window See Caccini for suggestions of rhythmic alteration to short notes, within the steady Tactus
https://imslp.org/wiki/Orchéso...New window External See Arbeau Orchesographie here.
/2015/09/27/logical-captain-th...New window More about Peri’s Tactus bass here.
/wp-content/uploads/2022/07/di...No Text
/wp-content/uploads/2022/07/th...No Text
https://www.youtube.com/watch?...New window External You can watch a video of the train-chase scene that inspired the title of this post here
/2022/07/13/training/?share=fa...New window Nofollow Text duplicate Facebook
A-TITLE Click to share on Facebook
/2022/07/13/training/?share=li...New window Nofollow Text duplicate LinkedIn
A-TITLE Click to share on LinkedIn
/2022/07/13/training/New window Nofollow Text duplicate Print
A-TITLE Click to print
/2022/07/13/training/?share=tw...New window Nofollow Text duplicate Twitter
A-TITLE Click to share on Twitter
/tag/continuo/Continuo
/category/early-harps/Early Harps
/tag/history-of-emotions/Text duplicate History of Emotions
/tag/improvisation/Improvisation
/category/introductions/Text duplicate Introductions
/category/history-of-emotions/...Text duplicate Moving the Passions
/category/history-of-emotions/...Text duplicate Music and Philosophy
/category/history-of-emotions/...Music, Dance & Swordsmanship
/tag/rhythm/Text duplicate Rhythm
/tag/baroque/Text duplicate baroque
/tag/baroque-music/Text duplicate Baroque Music
/tag/baroque-opera/Text duplicate Baroque Opera
/tag/early-music/Text duplicate Early Music
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