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Copyright | Copyright 2000-2020 The Brooklyn Rail. All rights reserved. |
description | The Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond. |
news_keywords | Art, Contemporary Art, Artists, Art Critic, Art Books, Culture, Art Reviews, Phong Bui, Brooklyn Art, Brooklyn Culture, New York Art Scene, Poetry, Film, Dance, Theater, Books, Music, Fiction |
lang | en-us |
twitter:card | summary_large_image |
twitter:description | The Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond. |
twitter:title | OCT 2020 |
twitter:image | https://brooklynrail.org/content/issue/cover_image/204/br-oct-frontcover4.jpg |
twitter:image:alt | Empty |
twitter:site | @thebrooklynrail |
og:title | OCT 2020 |
og:type | website |
og:description | The Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond. |
og:url | https://brooklynrail.org/ |
og:site_name | The Brooklyn Rail |
og:image | https://brooklynrail.org/content/issue/cover_image/204/br-oct-frontcover4.jpg |
og:image:alt | Empty |
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...r-oct-frontcover4.jpg?w=200&q=80&fit=max | Current Issue Cover | |
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/images/dist/brooklynrail-logo-white.png | The Brooklyn Rail | Brooklyn Rail Home |
/images/dist/brooklynrail-logo.svg | The Brooklyn Rail | Brooklyn Rail Home |
...r-oct-frontcover4.jpg?w=200&q=80&fit=max | Gina Beavers, | |
...r-oct-frontcover2.jpg?w=200&q=80&fit=max | Odili Donald Odita, | |
...r-oct-frontcover1.jpg?w=200&q=80&fit=max | Michael Joo, | |
...r-oct-frontcover3.jpg?w=200&q=80&fit=max | Erik Lindman, Peregrine, 2018 |
Heading level | Content |
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H1 | The Brooklyn Rail |
H2 | Critical Perspectives on Art, Politics and Culture |
H2 | Table of Contents |
H2 | The Brooklyn Rail Duplicate text |
H3 | OCT 2020 |
H3 | InTranslation |
H3 | From the Publisher & Artistic Director |
H3 | Editor's Message |
H3 | Critics Page |
H3 | ArtSeen |
H3 | Editor's Message Duplicate text |
H3 | Publisher's Message |
H3 | Art |
H3 | ArtSeen Duplicate text |
H3 | Critics Page Duplicate text |
H3 | Books |
H3 | Music |
H3 | Dance |
H3 | Film |
H3 | Theater |
H3 | Fiction |
H3 | Poetry |
H3 | Art Books |
H3 | ArTonic |
H3 | Special Report |
H3 | Field Notes |
H3 | The Miraculous |
H3 | OCT 2020 Duplicate text |
H3 | Art Duplicate text |
H3 | ArtSeen Duplicate text |
H3 | Critics Page Duplicate text |
H3 | Books Duplicate text |
H3 | Music Duplicate text |
H3 | Dance Duplicate text |
H3 | Film Duplicate text |
H3 | Theater Duplicate text |
H3 | Fiction Duplicate text |
H3 | Poetry Duplicate text |
H3 | Art Books Duplicate text |
H3 | ArTonic Duplicate text |
H3 | Special Report Duplicate text |
H3 | Field Notes Duplicate text |
H3 | The Miraculous Duplicate text |
H4 | GINA BEAVERS with EJ Hauser |
H4 | MICHAEL JOO with Amanda Gluibizzi |
H4 | ERIK LINDMAN with Louis Block |
H4 | ODILI DONALD ODITA with Tom McGlynn |
H4 | RICHARD SHIFF with Jessamine Batario |
H4 | Dear Friends and Readers, |
H4 | On Edge(s) |
H4 | Edges/Limits. Edges/Tableau |
H4 | Painted Sides: Bringing Visual and Emotional Energies Together |
H4 | Painting without Edge |
H4 | SQUEAK CARNWATH with Amanda Gluibizzi |
H4 | Embarrassment of Edges |
H4 | The frame that suffocates the image |
H4 | Side Issues |
H4 | The Ec-centric Gaze |
H4 | Beverly Fishman: I Dream of Sleep |
H4 | Andrew LaMar Hopkins: Créolité |
H4 | Leeza Meksin: Turret Tops |
H4 | Between the Lines |
H4 | Gayleen Aiken: Interiors |
H4 | Andrew Lyght: Second Nature |
H4 | Ficre Ghebreyesus: Gate to the Blue |
H4 | Gedi Sibony: The Terrace Theater |
H4 | Adrián Villar Rojas: La fin de l’imagination |
H4 | Park Kyung Ryul: Tense |
H4 | C.T. McClusky: Circus Surreal |
H4 | Harold Ancart: Traveling Light |
H4 | Julian Schnabel: The Sad Lament of the Brave, Let the Wind Speak and Other Paintings |
H4 | Melissa Vogley Woods |
H4 | Taney Roniger: Never The Same River |
H4 | Peter Doig |
H4 | Toyin Ojih Odutola: Tell Me A Story, I Don’t Care If It’s True |
H4 | Grayson Cox and Joan Waltemath: Apparatus |
H4 | An-My Lê: On Contested Terrain |
H4 | Suzan Frecon & Patricia Treib |
H4 | Luchita Hurtado: Together Forever |
H4 | Lily Stockman: Seed, Stone, Mirror, Match |
H4 | Joan Snyder: The Summer Becomes a Room |
H4 | Lauretta Vinciarelli: Intimate Distances |
H4 | Duke Riley: Welcome Back to Wasteland Fishing |
H4 | Léonie Guyer and Rebeca Bollinger: Threshold |
H4 | Claudia Hart: The Ruins |
H4 | Jesse Chun: SULLAE 술래 |
H4 | Suzan Frecon: oil paintings |
H4 | Joanna Pousette-Dart: Floating World |
H4 | Ferrari Sheppard: Heroines of Innocence |
H4 | Alvin Armstrong: This Place Looks Different |
H4 | Joiri Minaya: I m here to entertain you, but only during my shift |
H4 | Jim Shaw: Dad’s Drawings |
H4 | Will Ryman: Dinner III |
H4 | Andy Goldsworthy: Red Flags |
H4 | David Shrigley: DO NOT TOUCH THE WORMS |
H4 | Berlin Biennial 11: The Crack Begins Within |
H4 | Silky Shoemaker: Billboard Project |
H4 | Josh Smith: Spectre |
H4 | Erik Lindman: Fal/Parsi |
H4 | Julia Phillips: New Album |
H4 | Vantage Points |
H4 | Christo: Show Cases, Show Windows & Store Fronts, 1963-1966 |
H4 | Gabriel Orozco |
H4 | On Edge(s) Duplicate text |
H4 | Dear Friends and Readers, Duplicate text |
H4 | GINA BEAVERS with EJ Hauser Duplicate text |
H4 | MICHAEL JOO with Amanda Gluibizzi Duplicate text |
H4 | ERIK LINDMAN with Louis Block Duplicate text |
H4 | ODILI DONALD ODITA with Tom McGlynn Duplicate text |
H4 | RICHARD SHIFF with Jessamine Batario Duplicate text |
H4 | Beverly Fishman: I Dream of Sleep Duplicate text |
H4 | Andrew LaMar Hopkins: Créolité Duplicate text |
H4 | Leeza Meksin: Turret Tops Duplicate text |
H4 | Between the Lines Duplicate text |
H4 | Gayleen Aiken: Interiors Duplicate text |
H4 | Andrew Lyght: Second Nature Duplicate text |
H4 | Ficre Ghebreyesus: Gate to the Blue Duplicate text |
H4 | Gedi Sibony: The Terrace Theater Duplicate text |
H4 | Adrián Villar Rojas: La fin de l’imagination Duplicate text |
H4 | Park Kyung Ryul: Tense Duplicate text |
H4 | C.T. McClusky: Circus Surreal Duplicate text |
H4 | Harold Ancart: Traveling Light Duplicate text |
H4 | Julian Schnabel: The Sad Lament of the Brave, Let the Wind Speak and Other Paintings Duplicate text |
H4 | Melissa Vogley Woods Duplicate text |
H4 | Taney Roniger: Never The Same River Duplicate text |
H4 | Peter Doig Duplicate text |
H4 | Toyin Ojih Odutola: Tell Me A Story, I Don’t Care If It’s True Duplicate text |
H4 | Grayson Cox and Joan Waltemath: Apparatus Duplicate text |
H4 | An-My Lê: On Contested Terrain Duplicate text |
H4 | Suzan Frecon & Patricia Treib Duplicate text |
H4 | Luchita Hurtado: Together Forever Duplicate text |
H4 | Lily Stockman: Seed, Stone, Mirror, Match Duplicate text |
H4 | Joan Snyder: The Summer Becomes a Room Duplicate text |
H4 | Lauretta Vinciarelli: Intimate Distances Duplicate text |
H4 | Duke Riley: Welcome Back to Wasteland Fishing Duplicate text |
H4 | Léonie Guyer and Rebeca Bollinger: Threshold Duplicate text |
H4 | Claudia Hart: The Ruins Duplicate text |
H4 | Jesse Chun: SULLAE 술래 Duplicate text |
H4 | Suzan Frecon: oil paintings Duplicate text |
H4 | Joanna Pousette-Dart: Floating World Duplicate text |
H4 | Ferrari Sheppard: Heroines of Innocence Duplicate text |
H4 | Alvin Armstrong: This Place Looks Different Duplicate text |
H4 | Joiri Minaya: I m here to entertain you, but only during my shift Duplicate text |
H4 | Jim Shaw: Dad’s Drawings Duplicate text |
H4 | Will Ryman: Dinner III Duplicate text |
H4 | Andy Goldsworthy: Red Flags Duplicate text |
H4 | David Shrigley: DO NOT TOUCH THE WORMS Duplicate text |
H4 | Berlin Biennial 11: The Crack Begins Within Duplicate text |
H4 | Silky Shoemaker: Billboard Project Duplicate text |
H4 | Josh Smith: Spectre Duplicate text |
H4 | Erik Lindman: Fal/Parsi Duplicate text |
H4 | Julia Phillips: New Album Duplicate text |
H4 | Vantage Points Duplicate text |
H4 | Christo: Show Cases, Show Windows & Store Fronts, 1963-1966 Duplicate text |
H4 | Gabriel Orozco Duplicate text |
H4 | Edges/Limits. Edges/Tableau Duplicate text |
H4 | Painted Sides: Bringing Visual and Emotional Energies Together Duplicate text |
H4 | Painting without Edge Duplicate text |
H4 | SQUEAK CARNWATH with Amanda Gluibizzi Duplicate text |
H4 | Embarrassment of Edges Duplicate text |
H4 | The frame that suffocates the image Duplicate text |
H4 | Side Issues Duplicate text |
H4 | The Ec-centric Gaze Duplicate text |
H4 | David Levi Strauss s Co-Illusion: Dispatches from the End of Communication |
H4 | Don DeLillo’s The Silence |
H4 | Vote Now or Forever Hold Your Peace |
H4 | Rone Shavers’s Silverfish |
H4 | TYREE DAYE with Tony Leuzzi |
H4 | Cristina Rivera Garza’s Grieving: Dispatches from a Wounded Country |
H4 | Sayaka Murata s Earthlings: A Novel |
H4 | Stories by Chloe N. Clark & Jen Fawkes |
H4 | Aoko Matsuda’s Where The Wild Ladies Are |
H4 | Daddies and Divas: MICHAEL MONTLACK with Soraya Shalforoosh |
H4 | Sarah Sala’s Devil’s Lake |
H4 | BRENDON RANDALL-MYERS with Vanessa Ague |
H4 | Tallinn Music Week |
H4 | The 83rd, Figure of Noise |
H4 | CATHERINE CHRISTER HENNIX with Marcus Boon, Part 2 |
H4 | Listening In: Olivier Conan, The Soul of Barbès |
H4 | SHAMEL PITTS & ITAI ZWECKER with Jonah Goldman Kay |
H4 | On Black Death and Fundraising |
H4 | “I have the desire to fight” |
H4 | FIDMarseille 2020: A Living Archive |
H4 | 190 Seconds in Lockdown: Usama Alshaibi & Adam Sekuler’s Cinema-19 |
H4 | Documentary as Holistic Activism: Deia Schlosberg's The Story of Plastic |
H4 | “I Could Understand a Person, If That Person Was a…” |
H4 | Rehearsing a Self: David Adjmi on Lot Six, A New Memoir and An Outsider's Anthem |
H4 | “Instead of call-out culture, we’re calling them in” |
H4 | SWAJ |
H4 | four |
H4 | Six From My Daily Actions, or The Meteorites |
H4 | five |
H4 | from Creve Coeur |
H4 | Julia Christensen’s Upgrade Available |
H4 | Ryan Debolski’s LIKE |
H4 | Nele Wynants’s When Fact Is Fiction: Documentary Art in the Post-Truth Era |
H4 | Sol LeWitt: Not to Be Sold for More Than $100 and Sol LeWitt: Folds & Rips |
H4 | The Enduring Spark: The Work and Legacy of The Gordon Parks Foundation |
H4 | Virtual Architecture: Art, Pandemic, Protest |
H4 | Money Magic |
H4 | Health Self-Defense in a São Paulo Favela |
H4 | RAQUEL DE ANDA with Ethel Palacios Shipton |
H4 | Politics with Normal Characteristics |
H4 | Beyond “Racial Capitalism” |
H4 | The Dangerous Seduction of Reform |
H4 | 21. (Downtown) |
H4 | 22. (The East Village and Points Beyond) |
H4 | 23. (Midtown, Times Square, Washington Square Park, Madison Square Garden) |
H4 | 24. (Park Avenue) |
H4 | 25. (SoHo) |
H4 | GINA BEAVERS with EJ Hauser Duplicate text |
H4 | MICHAEL JOO with Amanda Gluibizzi Duplicate text |
H4 | ERIK LINDMAN with Louis Block Duplicate text |
H4 | ODILI DONALD ODITA with Tom McGlynn Duplicate text |
H4 | RICHARD SHIFF with Jessamine Batario Duplicate text |
H4 | Beverly Fishman: I Dream of Sleep Duplicate text |
H4 | Andrew LaMar Hopkins: Créolité Duplicate text |
H4 | Leeza Meksin: Turret Tops Duplicate text |
H4 | Between the Lines Duplicate text |
H4 | Gayleen Aiken: Interiors Duplicate text |
H4 | Andrew Lyght: Second Nature Duplicate text |
H4 | Ficre Ghebreyesus: Gate to the Blue Duplicate text |
H4 | Gedi Sibony: The Terrace Theater Duplicate text |
H4 | Adrián Villar Rojas: La fin de l’imagination Duplicate text |
H4 | Park Kyung Ryul: Tense Duplicate text |
H4 | C.T. McClusky: Circus Surreal Duplicate text |
H4 | Harold Ancart: Traveling Light Duplicate text |
H4 | Julian Schnabel: The Sad Lament of the Brave, Let the Wind Speak and Other Paintings Duplicate text |
H4 | Melissa Vogley Woods Duplicate text |
H4 | Taney Roniger: Never The Same River Duplicate text |
H4 | Peter Doig Duplicate text |
H4 | Toyin Ojih Odutola: Tell Me A Story, I Don’t Care If It’s True Duplicate text |
H4 | Grayson Cox and Joan Waltemath: Apparatus Duplicate text |
H4 | An-My Lê: On Contested Terrain Duplicate text |
H4 | Suzan Frecon & Patricia Treib Duplicate text |
H4 | Luchita Hurtado: Together Forever Duplicate text |
H4 | Lily Stockman: Seed, Stone, Mirror, Match Duplicate text |
H4 | Joan Snyder: The Summer Becomes a Room Duplicate text |
H4 | Lauretta Vinciarelli: Intimate Distances Duplicate text |
H4 | Duke Riley: Welcome Back to Wasteland Fishing Duplicate text |
H4 | Léonie Guyer and Rebeca Bollinger: Threshold Duplicate text |
H4 | Claudia Hart: The Ruins Duplicate text |
H4 | Jesse Chun: SULLAE 술래 Duplicate text |
H4 | Suzan Frecon: oil paintings Duplicate text |
H4 | Joanna Pousette-Dart: Floating World Duplicate text |
H4 | Ferrari Sheppard: Heroines of Innocence Duplicate text |
H4 | Alvin Armstrong: This Place Looks Different Duplicate text |
H4 | Joiri Minaya: I m here to entertain you, but only during my shift Duplicate text |
H4 | Jim Shaw: Dad’s Drawings Duplicate text |
H4 | Will Ryman: Dinner III Duplicate text |
H4 | Andy Goldsworthy: Red Flags Duplicate text |
H4 | David Shrigley: DO NOT TOUCH THE WORMS Duplicate text |
H4 | Berlin Biennial 11: The Crack Begins Within Duplicate text |
H4 | Silky Shoemaker: Billboard Project Duplicate text |
H4 | Josh Smith: Spectre Duplicate text |
H4 | Erik Lindman: Fal/Parsi Duplicate text |
H4 | Julia Phillips: New Album Duplicate text |
H4 | Vantage Points Duplicate text |
H4 | Christo: Show Cases, Show Windows & Store Fronts, 1963-1966 Duplicate text |
H4 | Gabriel Orozco Duplicate text |
H4 | On Edge(s) Duplicate text |
H4 | Edges/Limits. Edges/Tableau Duplicate text |
H4 | Painted Sides: Bringing Visual and Emotional Energies Together Duplicate text |
H4 | Painting without Edge Duplicate text |
H4 | SQUEAK CARNWATH with Amanda Gluibizzi Duplicate text |
H4 | Embarrassment of Edges Duplicate text |
H4 | The frame that suffocates the image Duplicate text |
H4 | Side Issues Duplicate text |
H4 | The Ec-centric Gaze Duplicate text |
H4 | David Levi Strauss s Co-Illusion: Dispatches from the End of Communication Duplicate text |
H4 | Don DeLillo’s The Silence Duplicate text |
H4 | Vote Now or Forever Hold Your Peace Duplicate text |
H4 | Rone Shavers’s Silverfish Duplicate text |
H4 | TYREE DAYE with Tony Leuzzi Duplicate text |
H4 | Cristina Rivera Garza’s Grieving: Dispatches from a Wounded Country Duplicate text |
H4 | Sayaka Murata s Earthlings: A Novel Duplicate text |
H4 | Stories by Chloe N. Clark & Jen Fawkes Duplicate text |
H4 | Aoko Matsuda’s Where The Wild Ladies Are Duplicate text |
H4 | Daddies and Divas: MICHAEL MONTLACK with Soraya Shalforoosh Duplicate text |
H4 | Sarah Sala’s Devil’s Lake Duplicate text |
H4 | BRENDON RANDALL-MYERS with Vanessa Ague Duplicate text |
H4 | Tallinn Music Week Duplicate text |
H4 | The 83rd, Figure of Noise Duplicate text |
H4 | CATHERINE CHRISTER HENNIX with Marcus Boon, Part 2 Duplicate text |
H4 | Listening In: Olivier Conan, The Soul of Barbès Duplicate text |
H4 | SHAMEL PITTS & ITAI ZWECKER with Jonah Goldman Kay Duplicate text |
H4 | On Black Death and Fundraising Duplicate text |
H4 | “I have the desire to fight” Duplicate text |
H4 | FIDMarseille 2020: A Living Archive Duplicate text |
H4 | 190 Seconds in Lockdown: Usama Alshaibi & Adam Sekuler’s Cinema-19 Duplicate text |
H4 | Documentary as Holistic Activism: Deia Schlosberg's The Story of Plastic Duplicate text |
H4 | “I Could Understand a Person, If That Person Was a…” Duplicate text |
H4 | Rehearsing a Self: David Adjmi on Lot Six, A New Memoir and An Outsider's Anthem Duplicate text |
H4 | “Instead of call-out culture, we’re calling them in” Duplicate text |
H4 | SWAJ Duplicate text |
H4 | four Duplicate text |
H4 | Six From My Daily Actions, or The Meteorites Duplicate text |
H4 | five Duplicate text |
H4 | from Creve Coeur Duplicate text |
H4 | Julia Christensen’s Upgrade Available Duplicate text |
H4 | Ryan Debolski’s LIKE Duplicate text |
H4 | Nele Wynants’s When Fact Is Fiction: Documentary Art in the Post-Truth Era Duplicate text |
H4 | Sol LeWitt: Not to Be Sold for More Than $100 and Sol LeWitt: Folds & Rips Duplicate text |
H4 | The Enduring Spark: The Work and Legacy of The Gordon Parks Foundation Duplicate text |
H4 | Virtual Architecture: Art, Pandemic, Protest Duplicate text |
H4 | Money Magic Duplicate text |
H4 | Health Self-Defense in a São Paulo Favela Duplicate text |
H4 | RAQUEL DE ANDA with Ethel Palacios Shipton Duplicate text |
H4 | Politics with Normal Characteristics Duplicate text |
H4 | Beyond “Racial Capitalism” Duplicate text |
H4 | The Dangerous Seduction of Reform Duplicate text |
H4 | 21. (Downtown) Duplicate text |
H4 | 22. (The East Village and Points Beyond) Duplicate text |
H4 | 23. (Midtown, Times Square, Washington Square Park, Madison Square Garden) Duplicate text |
H4 | 24. (Park Avenue) Duplicate text |
H4 | 25. (SoHo) Duplicate text |
H5 | The RAIL |
H5 | Get Involved |
H5 | Follow |
Link | Attributes | Anchor text |
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https://docs.google.com/docume... | External Subdomain | You can help » |
https://brooklynrail.org/ | IMG-ALT The Brooklyn Rail | |
https://brooklynrail.org/about?h | About A-TITLE About | |
https://brooklynrail.org/events?h | Events A-TITLE Events | |
https://shop.brooklynrail.org/... | External Subdomain | Subscribe A-TITLE Subscribe |
https://shop.brooklynrail.org/?h | New window External Subdomain | Store A-TITLE Store |
https://brooklynrail.org/donate?h | Donate A-TITLE Donate | |
https://brooklynrail.org/events?h | The New Social Environment: Lunchtime Conversations with Artists, Writers, Filmmakers, & Poets Join us daily at 1:00 pm ET A-TITLE The New Social Environment | |
/content/issue/cover_image/204... | IMG-ALT Current Issue Cover A-TITLE Gina Beavers, <em>Dice Nail Love</em>, 2014. Acrylic on canvas panel with wood frame. Courtesy the artist and Marianne Boesky Gallery, New York and Aspen. &c... | |
/content/issue/cover_image/204... | A-TITLE Odili Donald Odita, <em>Great Divide</em>, 2017. Acrylic on canvas, 74 x 90 inches. Courtesy the artist and Jack Shainman Gallery, New York. | |
/content/issue/cover_image/204... | A-TITLE Michael Joo, <em>DRWN, Carunculatus (28)</em>, 2015. Graphite impregnated urethane, dimensions variable. Photo: Peter Mallet. | |
/content/issue/cover_image/204... | A-TITLE Erik Lindman, Peregrine, 2018?19. Acrylic, collaged canvas, woven and canvas webbing and sisal rope on linen, 118 x 75 inches . Courtesy the artist and Peter... | |
https://brooklynrail.org/2020/10/ | Issue Home | |
/2020/10/art | Art | |
/2020/10/artseen | ArtSeen | |
/2020/10/criticspage | Critics Page | |
/2020/10/books | Books | |
/2020/10/music | Music | |
/2020/10/dance | Dance | |
/2020/10/film | Film | |
/2020/10/theater | Theater | |
/2020/10/fiction | Fiction | |
/2020/10/poetry | Poetry | |
/2020/10/art_books | Art Books | |
/2020/10/artonic | ArTonic | |
/2020/10/special-report | Special Report | |
/2020/10/field-notes | Field Notes | |
/2020/10/miraculous | The Miraculous | |
http://intranslation.brooklynr... | External Subdomain | InTranslation A-TITLE Visit InTranslation |
/2020/10/table_of_contents | Table of Contents | |
https://brooklynrail.org/search | Search A-TITLE Search All Issues | |
https://brooklynrail.org/archives | View Archive A-TITLE View Archive | |
https://shop.brooklynrail.org/... | External Subdomain | No Text |
http://curatorialprojects.broo... | External Subdomain | No Text |
/special/RIVER_RAIL/ | No Text | |
http://miamirail.org/ | External | No Text |
http://thirdrailquarterly.org/ | External | No Text |
https://www.metabolicstudio.org/ | External | No Text |
https://www.philipguston.org/home | External | No Text |
http://louiscomforttiffanyfoun... | External | No Text |
https://www.dedalusfoundation.... | External | No Text |
http://anthologyfilmarchives.org/ | External | No Text |
https://thestudioprogram.com/?br | External | No Text |
https://www.glasserienyc.com/?br | External | No Text |
http://studioinaschool.org/ | External | No Text |
https://secondshiftstudiospace... | External | No Text |
/open-letter-on-philip-guston-now | No Text | |
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/2020/10/art/GINA-BEAVERS-with... | No Text | |
/2020/10/art/ERIK-LINDMAN-with... | No Text | |
/open-letter-on-philip-guston-now | Read the letter & see who’s signed --> | |
/2020/10/art/MICHAEL-JOO-with | MICHAEL JOO with Amanda Gluibizzi | |
/2020/10/art/ODILI-DONALD-ODIT... | ODILI DONALD ODITA with Tom McGlynn | |
/2020/10/art/GINA-BEAVERS-with... | GINA BEAVERS with EJ Hauser | |
/2020/10/art/ERIK-LINDMAN-with... | ERIK LINDMAN with Louis Block | |
/2020/10/art | Text duplicate | Art A-TITLE Go to the Art section |
/2020/10/art/GINA-BEAVERS-with... | No Text | |
/2020/10/art/GINA-BEAVERS-with... | Text duplicate | GINA BEAVERS with EJ Hauser |
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/2020/10/artseen/Claudia-HartT... | Claudia Hart: The Ruins | |
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/2020/10/artseen/Will-Ryman-Di... | Will Ryman: Dinner III | |
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/2020/10/artseen/Suzan-Frecon-... | Text duplicate | Suzan Frecon: oil paintings |
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/2020/10/books/Grieving-Dispat... | Cristina Rivera Garza’s Grieving: Dispatches from a Wounded Country | |
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/2020/10/books/Short-Stories | Stories by Chloe N. Clark & Jen Fawkes | |
/2020/10/books/Where-The-Wild-... | Aoko Matsuda’s Where The Wild Ladies Are | |
/2020/10/books/MICHAEL-MONTLAC... | Daddies and Divas: MICHAEL MONTLACK with Soraya Shalforoosh | |
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/2020/10/music/The-83rd-Figure... | The 83rd, Figure of Noise | |
/2020/10/music/CATHERINE-CHRIS... | CATHERINE CHRISTER HENNIX with Marcus Boon, Part 2 | |
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/2020/10/film/190-Seconds-in-L... | 190 Seconds in Lockdown: Usama Alshaibi & Adam Sekuler’s Cinema-19 | |
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/2020/10/theater/I-Could-Under... | “I Could Understand a Person, If That Person Was a…” | |
/2020/10/theater/Rehearsing-a-... | Rehearsing a Self: David Adjmi on Lot Six, A New Memoir and An Outsider's Anthem | |
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/2020/10/art_books/Ryan-Debols... | Ryan Debolski’s LIKE | |
/2020/10/art_books/Nele-Wynant... | Nele Wynants’s When Fact Is Fiction: Documentary Art in the Post-Truth Era | |
/2020/10/art_books/Sol-LeWitt-... | Sol LeWitt: Not to Be Sold for More Than $100 and Sol LeWitt: Folds & Rips | |
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/2020/10/artonic/The-Enduring-... | The Enduring Spark: The Work and Legacy of The Gordon Parks Foundation | |
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/2020/10/special-report/Virtua... | Virtual Architecture: Art, Pandemic, Protest | |
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/2020/10/field-notes/Money-Magic | Money Magic | |
/2020/10/field-notes/Health-Se... | Health Self-Defense in a São Paulo Favela | |
/2020/10/field-notes/IN-CONVER... | RAQUEL DE ANDA with Ethel Palacios Shipton | |
/2020/10/field-notes/Politics-... | Politics with Normal Characteristics | |
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