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H3 | Joe Bradley: Merging night and day |
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H3 | Farrell Brickhouse: The beat goes on |
H3 | Mary Carlson: Timelessly medieval |
H3 | What makes a good painting? |
H3 | Lee Maxey: Teasing out the uneasy |
H3 | Joan Thorne, painter and artist |
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H3 | Invitation: “BIG TOP” at Dumbo Open Studios, April 13 & 14, 2024, 1 – 6 pm |
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H3 | Joe Bradley: Merging night and day Duplicate text |
H3 | Xingze Li and Sarah Pater: Extraordinarily quotidian Duplicate text |
H3 | Ian Myers: A painter’s faith Duplicate text |
H3 | Farrell Brickhouse: The beat goes on Duplicate text |
H3 | Mary Carlson: Timelessly medieval Duplicate text |
H3 | What makes a good painting? Duplicate text |
H3 | Lee Maxey: Teasing out the uneasy Duplicate text |
H3 | Joan Thorne, painter and artist Duplicate text |
H3 | Eileen O’Kane Kornreich: Embracing fluidity Duplicate text |
H3 | Invitation: “BIG TOP” at Dumbo Open Studios, April 13 & 14, 2024, 1 – 6 pm Duplicate text |
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H6 | NYC Selected Gallery Guide: April 2024 |
H6 | What makes a good painting? Duplicate text |
H6 | Provocative conversations at Platform |
H6 | Hudson Valley (and vicinity) Selected Gallery Guide: April 2024 |
H6 | Farrell Brickhouse: The beat goes on Duplicate text |
H6 | Joan Thorne, painter and artist Duplicate text |
H6 | Janice Biala’s epochal studio |
H6 | Caroline Burton’s compelling in-betweenness |