Icmi-workshop.org - SEO Checker

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Meta information
68% 
Page quality
88% 
Page structure
72% 
Link structure
82% 
Server
95% 
External factors
57% 
SEO Score
Response time
0.07 s
File size
51.90 kB
Words
1511
Media files
0
Number of links
77 internal / 16 external

Task list of SEO Improvements

Meta specifications

Title
(Critically important)
ICMI – Workshop für innovative computerbasierte Musikinterfaces
The page title should be shorter than 580 pixels. It is 590 pixels long. Optimize title
There are no duplicate words in the title
Meta description
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The meta description is missing.
Crawlability
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There are no problems in accessing the website.
Canonical URL
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No canonical link is specified.
Language
(Somewhat important)
Language detected in text: de
Server location: United States of America
The language is not specified in the HTML markup.
Alternate/Hreflang Links
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There are no alternate links specified on this page.
Other meta tags
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There is no rel next meta tag on this page.
There is no rel prev meta tag on this page.
Domain
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The domain is no subdomain.
The domain length is good.
The domain does not contain non-latin characters.
Page URL
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No parameters were found in the URL.
No session ID was found in the URL.
The URL does not have too many subdirectories.
Charset encoding
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The character encoding is not specified in the HTTP header.
The charset encoding (UTF-8) is set correctly.
Doctype
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The doctype HTML 5 is set correctly.
The doctype is placed at first in the HTML code.
Favicon
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No favicon is linked in the HTML code.

Meta tags

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viewportwidth=device-width, initial-scale=1, maximum-scale=1.0, user-scalable=no
theme-color#2196F3
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Page quality

Content
(Critically important)
This page contains 1511 words. That's ok.
23.4% of the text are stop words.
Keywords used in the page title are also used in the page content. That's good!
The page contains a listing, which indicates a good text layout.
19 paragraphs were found on this page.
The text content is perfect.
No placeholders texts or images were found.
There are no duplicates on the site.
The average number of words per sentence of 17.4 words is good.
Frames
(Critically important)
This page does not use a frameset.
Mobile optimization
(Somewhat important)
No Apple touch icon is specified.
This page loads 5 JavaScript files. This may affect the load time negatively.
A viewport "width=device-width, initial-scale=1, maximum-scale=1.0, user-scalable=no" is provided.
Bold and strong tags
(Somewhat important)
The usage of strong and bold tags is perfect. We recommend the use of up to 30 tags for this page.
Image SEO
(Somewhat important)
Alt text (alternative text) is correctly used on all found images.
Social Networks
(Nice to have)
There are only a few social sharing widgets on the page. Make your website popular in social networks with social sharing widgets.
Additional markup
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No additional page markup was found.
HTTPS
(Somewhat important)
The HTTPS protocol for secure data transmission is not used.

Media list

No media files were found.

Page structure

H1 heading
(Critically important)
ICMI
The H1 heading consists of only one word. There should be more information given.
The H1 heading is too short (4 characters). It should be at least 20 Characters long.
Headings
(Important)
The heading structure is perfect.

Heading structure

Heading levelContent
H1 ICMI
H2 Workshop für Innovative Computerbasierte Musikinterfaces
H2 Vergangene ICMIs
H3 Zusammenfassung
H3 Zielgruppe
H3 Motivation und Einladung
H3 Programmkomitee und Organisation
Some internal link anchor texts are too long.
Some anchor texts are used more than once.
The number of internal links is ok.
All internal links are not using dynamic parameters.
There are 16 external links on this page.

Found links on this page

LinkAttributesAnchor text
http://icmi-workshop.org/Anchor ICMI
http://icmi-workshop.org/Anchor Paper
http://www.cemfi.de/imprintNew window External Subdomain Impressum
http://icmi-workshop.org/Anchor Text duplicate Paper
http://www.cemfi.de/imprintExternal Subdomain Text duplicate Impressum
https://mensch-und-computer.de/New window External Mensch und Computer
http://icmi-workshop.org/Anchor 2008
http://icmi-workshop.org/Anchor 2009
http://icmi-workshop.org/Anchor 2011
/papers20122012
http://icmi-workshop.org/Anchor 2015
http://icmi-workshop.org/Anchor 2017
http://icmi-workshop.org/Anchor 2019
http://icmi-workshop.org/Anchor 2022
https://doi.org/10.18420/muc20...New window External Creative Sound Modeling with Signed Distance Fields Tendsin Mende; Lars Engeln; Matthew McGinity; Rainer Groh
https://doi.org/10.18420/muc20...New window External Interactive Notation for LMS: Progress Report and Pilot Study Matthias Nowakowski; Elena Schilke; Aristotelis Hadjakos
https://doi.org/10.18420/muc20...New window External Real-Time MIR Algorithms for Music-Reactive Game World Generation Peter Meier; Simon Schwär; Sebastian Rosenzweig; Meinard Müller
https://doi.org/10.18420/muc20...New window External GranularSpectrals – Spectral manipulation for Advanced Granular Synthesis Fabian Töpfer; Lars Engeln; Rainer Groh
https://doi.org/10.18420/muc20...New window External Interfaceeffekte zwischen Metapher, Sound und Environmentalitäten: Zur Aneignung digital-haptischer Musik-Devices in professionellen musikalischen Kontexten ...
https://doi.org/10.18420/muc20...New window External Art Music Composers & Interaction – A Call for Aesthetic Discussions Mathieu Lacroix
https://dl.gi.de/handle/20.500...New window External Subdomain Towards a Graphical User Interface for Quantitative Analysis in Digital Musicology Anna-Marie Ortloff; Maximiliane Windl; Lydia Güntner; Thomas Schmidt
https://dl.gi.de/handle/20.500...New window External Subdomain Spectral Size Does Matter Lars Engeln; Rainer Groh
https://dl.gi.de/handle/20.500...New window External Subdomain The Earconizer - A Tool for constructing hierarchical Earcons Maximilian Hanke; Lars Engeln; Toni Auerswald; Felix Kallenbach; Rainer Groh
https://dl.gi.de/handle/20.500...New window External Subdomain Immersions - Musik in Künstlichen Ohren Vincent Herrmann
https://dl.gi.de/handle/20.500...New window External Subdomain Navigating Possibility Spaces with the Airborne Instruments nUFO Hannes Heolzl; Isak Han; Alberto de Campo
https://dl.gi.de/handle/20.500...New window External Subdomain Detecting Hands in Piano MIDI Data Aristotelis Hadjakos; Simon Waloschek; Alexander Leemhuis
https://dl.gi.de/handle/20.500...New window External Subdomain Über Erfahrungen in der Anwendung computerbasierter Streichinstrumente: das Duo Expanded Strings Cornelius Pöpel; Günter Marx
/papers/2017/2017_WS15_371.pdfNew window Küstliche Neuronale Netze in computerbasierten Musikinterfaces Aristotelis Hadjakos
/papers/2017/2017_WS15_310.pdfNew window AudioFlux; A Proposal for interactive Visual Audio Manipulation Lars Engeln, Rainer Groh
/papers/2017/2017_WS15_323.pdfNew window Das signalgesteuerte Percussion-Interface MOMENTUM Marcus Holzmayr, Cornelius Pöpel
/papers/2017/2017_WS15_321.pdfNew window All you can repeat - Ein interaktives Audio-Gedächnisspiel mit visueller Erweiterung Andreas Uhl, Cornelius Pöpel
/papers/2017/2017_WS15_346.pdfNew window Enfluss technischer Mittel auf die Kompositionsmethoden von Jeremy Soule Andre Giffinger
/papers/2017/2017_WS15_327.pdfNew window AV Kleinststeuereinheit für den Kontext interaktiver Klanginstallationen Michael Kirschner, Cornelius Pöpel
/papers/2017/2017_WS15_336.pdfNew window Klangfang - Eine partizipative App für experimentelle Geräuschcollagen Franca Winter, Wilhelm Krohmer
/papers/2017/2017_WS15_324.pdfNew window WELLENFORMATION: Eine gestengesteuerte Installation zum Erleben alter Musik Marcus Holzmayr, Cornelius Pöpel
/papers/2015/rhythmusradar.pdfNew window Das Rhythmus-Radar Matthias Husinsky, Patrik Lechner
/papers/2015/corenati.pdfNew window Cornea Ti – Interaktion zwischen Raum, Klang und Licht Benjamin Knichel, Klaus Teltenkötter
/papers/2015/drumset.pdfNew window Das Drumset als Lichtcontroller Anabell von Scanzoni, David Ferstl, Cornelius Pöpel
/papers/2015/hexenkessel.pdfNew window Der Hexenkessel: Ein intermediales Hybridinstrument Jacob T. Sello
/papers/2015/handgesten.pdfNew window Gedanken zur Nutzung von Handgesten in der Musikproduktion Axel Berndt, Simon Waloschek, Aristotelis Hadjakos
/papers/2015/erfahrungsbericht...New window Erfahrungsbericht und weiterführende Ideen über Controllerentwicklung in der live-elektronischen E-Musik Simon Spillner, Cornelius Pöpel
/papers/2015/spine.pdfNew window SPINE: TUI Toolkit und Physical Computing Platform Aristotelis Hadjakos, Simon Waloschek
/papers/2015/genimpro.pdfNew window GenImpro: Analysewerkzeug, Forschungsumgebung und generatives System für musikalische Evolution Sebastian Trump
/papers/2015/mushra.pdfNew window Distributed Pair Evaluation in Context of MUSHRA Listening Tests Maximilian Neumayer, Michael Schoeffler, Jürgen Herre
/papers/2015/spacialattributes...New window A Framework for Reporting Spatial Attributes of Sound Sources Susanne Westphal, Michael Schoeffler, Jürgen Herre
/papers/2012/01_An_Die_Verehrt...An die verehrte Körperschaft Leo Hofmann
/papers/2012/02_GenerativeMusi...New window Generative Music Digital Compact Cassette Daniel Wessolek, Hannes Waldschütz
/papers/2012/03_Gestenbasierte...New window Ein Gestenbasiertes Interface zur Bewegung von Klang im Raum Michael Schlütter, Cornelius Pöpel
/papers/2012/04_ilgMV.pdfNew window iIgMV – interactive Interface for generative Music and Visualizations Damian T. Dziwis, Felix Hofschulte, Michael Kutz, Martin Kutz
/papers/2012/05_Der_Interaktiv...New window Der interaktive Getränkekasten – Bevbox Michaela Meier, Cornelius Pöpel
/papers/2012/06_Maskenrad.pdfNew window Maskenrad Julian Vogels, Cornelius Pöpel
/papers/2012/07 Paper_Monolith...New window Monolith – das Chromaphon Elias Naphausen
/papers/2012/08_MotionComposer...New window Applications of Motion Tracking for Persons with Disabilities: movement-sound coherence and the synaesthetic response Robert Wechsler
/papers/2012/09_Navigating_Gra...New window Navigating audio-visual Grainspace Max Neupert
/papers/2012/10_NoteForMax.pdfNew window note~ for Max – Ein Tool für Medienkunst und Neue Musik Thomas Resch
/papers/2011/02_Interfaces_in_...New window Interfaces in der Musikpsychologie Reinhard Kopiez
/papers/2011/03_Skintimacy_Die...New window Skintimacy: Die elektrisierte Haut als Musikinterface Alexander Müller, Jochen Fuchs, Gesche Joost
/papers/2011/04_SOMICO–Soma_MI...New window SOMICO – Soma MIDI Controller Annabella Konstantaras, Alexandros Konstantaras
/papers/2011/05_ROOM#81–An_Arc...New window ROOM#81 – An Architectural Instrument for Exploring Human Control of Primitive Vocal Cues Nicolas d'Alessandro, Roberto Calderon, Stefanie Müller, Sidney Fels
/papers/2011/06_Miex–MIDI_evol...New window Miex – MIDI evolved Andreas Gartz, Alexandros Konstantaras, Lukas Flory, Holger Reckter
/papers/2011/07_Berührungslose...New window Berührungslose Interaktion für Musikdarbietungen im virtuellen Studio Björn Wöldecke, Dionysios Marinos, Christian Geiger
/papers/2011/08_Optoakustische...New window Optoakustisches Audiointerfacedesign und psychoakustische Audiovision für PC- und Videogames Giovanni Vindigni
/papers/2011/09_Greifbare Beat...New window Greifbare Beats: Exploratives Design mit dem Haptic Drum Toolkit Konrad Röpke, Alexander Müller
/papers/2011/10_Filumis.pdfNew window Filumis Julian Vogels, Cornelius Pöpel
/papers/2011/11_SampleSurface-...New window SampleSurface: Kollaboratives Musizieren mit Multitouch-Unterstützung Jakob Bahr, Joshua Peschke, Dietrich Kammer, Ingmar Franke, Juliane Steinhauf, Maxi Kir...
/papers/2009/01_cermak.pdfNew window Experimente in be-greifbarem Sound Daniel Cermak-Sassenrath, Jobst Prinzhorn
/papers/2009/02_hadjakos.pdfNew window Feinevaluierung des Probabilistischen Arm Modells zur Analyse von Klavierspielbewegungen Aristotelis Hadjakos
/papers/2009/03_holzmay.pdfNew window LOOPLEX – Interaktives Sound Interface Marcus Holzmayr, Cornelius Pöpel
/papers/2009/04_kaltenbrunner.pdfNew window Gegenständliche Musikalische Interaktion Martin Kaltenbrunner
/papers/2009/05_krejpowicz.pdfNew window TrackNDrums - ein virtuelles Schlagzeug auf der Basis eines 3D-Tracking-Systems unter Verwendung zweier Wiimotes Marcus Krejpowicz, Song Thuy Nguyen, Martin ...
/papers/2009/06_schulz.pdfNew window Generative Musikerzeugung auf dem iPhone Florian Schulz, Christian Geiger, Holger Reckter
/papers/2009/07_sobtzick.pdfNew window Strukturierte Beobachtung als wissenschaftliche Methode zur Untersuchung musikalischer Mensch-Computer-Interaktion Wolfgang Sobtzick, Conrad Baetzel, Son-Hwa...
/papers/2009/08_trappe.pdfNew window SMaCK: A Sound Modelling and Control Kit for Children Christoph Trappe, Heidi Schelhowe
/papers/2009/09_gupfinger.pdfNew window INTERACTIVE INFRASONIC ENVIRONMENT: A New Type of Sound Installation for Controlling Infrasound Reinhard Gupfinger
/papers/2009/10_gupfinger.pdfNew window O-TONE: Interactive Sound Experience for Audiences in Sound Installations Reinhard Gupfinger
/papers/2009/11_hadjakos.pdfNew window Stiftbasierte Musikalische Interaktion Aristotelis Hadjakos und Jürgen Steimle
/papers/2009/12_helfrich.pdfNew window Multimediale Realtime Performance auf Basis eines New Media Devices Dennis Helfrich
/papers/2009/13_hornberger.pdfNew window GRID - Generic Rectilinear Interface Device Tobias Hornberger, Thorsten Mahler, Michael Weber
/papers/2009/14_kalisch.pdfNew window attract-o-tone Frederik Kalisch, Steffen Müller
/papers/2009/15_mueller.pdfNew window Berührungsloses Drei-Saiteninstrument mit samplebasierter Klangerzeugung Stefanie Müller, Christian Schulze, Catharina Keffel, Christian Merz, Sascha Seeger-...
/papers/2009/16_troeger.pdfNew window GIVE – Gruppengesteuertes interaktives VJ Ensemble Isabell Tröger
/papers/2009/17_yosha.pdfNew window AirPiano Omer Yosha
/papers/2008/01_Hajdu.pdfNew window Controller in interaktiven Musikperformances Georg Hajdu
/papers/2008/02_mckeynote-tink...New window Tinkering with Noise: Wie man neue Musikinstrumente technisch möglich macht Georg Essl
/papers/2008/03_final.pdfNew window Der Tonraum als wichtiges Element innovativer musikalischer Benutzerschnittstellen G. Gatzsche, D. Gatzsche, M. Mehnert, K. Brandenburg
/papers/2008/04_Hadjakos2008Er...New window Zu einer Automatischen Erkennung von Spielbewegungen am Klavier Aristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser
/papers/2008/05_mikrosia_LNI.pdfNew window Mikrosia – der Klang einer Zelle Andres Illiger
/papers/2008/06_moVin-final.pdfNew window Die moVIn’-Plattform Oliver Frei
/papers/2008/07_DISCO-Submissi...New window DISCO: Disk-based Interface for Semantic Composition Mei-Fang Liau, Jonathan Diehl, Jan Borchers
/papers/2008/08_ICMI-Beitrag.pdfNew window Stekgreif und an.schlag Georg Homann, Daniel Tzschentke, Christoph Weidenhaupt, Peter Zentis
/papers/2008/09_ICMI_LNI03_Pas...New window Evolution und Evaluation Theremin-Basierter Interfaces David Paschke, Christian Geiger, Florian Schulz, Holger Reckter
/papers/2008/10_cpoepel_Intera...New window Interaktion am traditionellen Instrument Cornelius Pöpel
/papers/2008/11_MC08-soundvisi...New window SoundVision – Ton zu Bild und Bild zu Ton, eine vernetzte Konversation Steffi Beckhaus, Roland Schröder-Kroll, Tanja Döring, Thorsten Juckel

Server configuration

HTTP redirects
(Critically important)
The checked page does not redirect to another URL.
HTTP header
(Important)
No X-Powered HTTP header is sent.
This page uses GZip for compressed data transmission.
Performance
(Somewhat important)
This page loads 5 JavaScript files. This may affect the load time negatively.
The page response time is excellent with 0.07 seconds.
This page only loads 3 CSS files. That's ok.
The file size of the HTML document is fine (52 kB).

HTTP Response Header

NameValue
content-typetext/html
transfer-encodingchunked
connectionkeep-alive
keep-alivetimeout=15
dateTue, 23 Jul 2024 06:56:00 GMT
serverApache
last-modifiedTue, 04 Jun 2024 09:39:35 GMT
etagW/"cf6e-61a0d3a5789e0"
content-encodinggzip
statuscode200
http_versionHTTP/1.1

External factors

Blacklists
(Nice to have)
This website is not classified "for adult only".
This page has only a few links from other websites.
This page only has backlinks from 15 referring domains.
This page only has 88 backlinks.
This page only has few backlinks from 14 different ip addresses.
Facebook popularity
(Somewhat important)
The page has 0 shares and comments on Facebook.

Links from Wikipedia

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Most important keywords

Following keywords were found. You can check the keyword optimization of this page for each keyword.

KeywordResultRecheck
ICMI77%Check
ICMI Workshop71%Check
Workshop62%Check
Computer50%Check
Innovative50%Check
Innovative Computerbasierte Musikinterfaces50%Check
Musik49%Check
Interface49%Check
Musikinterfaces49%Check
Computerbasierte49%Check
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