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Überschriften Hierarchie | Inhalt |
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H1 | International Women’s Day 2022 – thoughts for the day |
H1 | A split protagonist – a dramaturgical view of Ash Taylor/Voq in STAR TREK: DISCOVERY (S 1+2) |
H1 | Die Kinamo und der poetische Dokumentarfilm – Vortrag auf der ZDok2019 |
H1 | Neuerscheinung: „Quality before Quality“ – Der Loop als subversive Strategie in I LOVE LUCY – von Christine Lang |
H1 | Game of Thrones 8 – Finale – Stoppage. |
H1 | Game of Thrones 8, Episode 5 – The Bells. Tidying up. |
H1 | Game of Thrones 8 Episode 4 – The deconstruction of female characters, or Was GoTh ever a feminist series? |
H1 | Game of Thrones 8 Episode 3 – Armageddon. The Long Night. |
H1 | Game of Thrones 8.2 _ The Knight of the Seven Kingdoms. A few dramaturgical thoughts. |
H1 | Game of Thrones 8.1 The art of the episode – beginning of the fifth act. |
H1 | Women in Film and TV, VI – BLACK PANTHER (USA 2018) |
H1 | upcoming event in Sheffield – Bauhaus 100 |
H1 | Zitat des Monats: Usedom-Krimi |
H1 | Still Life in Setzuan – ‚The Good People of The Three Gorges’ by Zhangke |
H1 | „Das Szenarium ist gegen alle Erkenntnisse der Filmdramaturgie geschrieben!“ Dramaturgie und Erzählästhetik in Filmen von Frauen – von Christine Lang |
H1 | quotation of the month |
H1 | Dramaturgy – Dramaturg – Dramaturging : Zitat des Monats |
H1 | Überlegungen zu Sport und Krimis im deutschen TV |
H1 | ZWISCHEN RÄUMEN no borders no art – Ausstellung in der Galerie KuB Leipzig 24./25.11.2017 |
H1 | So richtig stark sind TV-Heldinnen nur im Norden |
H1 | Women in Film and TV productions V – Female Characters and Gender Construction in ‚TOP OF THE LAKE‘ |
H1 | Women in Film and TV productions IV – Some thoughts about female characters in ‚Dunkirk‘ (Nolan 2017) and ‚Blade Runner 2049‘ (Villeneuve 2017) |
H1 | Interview zu Staffel 7: «Game of Thrones»: «Family first, America first» in der NZZ |
H1 | Harun Farocki Retrospective: Year by Year / Side by Side (october 2017) |
H1 | Women in Film and TV – Game of Thrones VII/1-2 |
H1 | Theatralität in GAME OF THRONES |
H1 | ‚Game of Thrones‘ sehen — Dramaturgie einer TV Serie |
H1 | 22.6.2017 „Kalte Probe“ Screening & Talk in der Galerie für Zeitgenössische Kunst, Leipzig |
H1 | Secrets of Storytelling in Documentaries, Movies and Games – BU Inaugural Public Lecture at Lighthouse Poole |
H1 | quotation of the month – Incoming, Mosse |
H1 | „GRENZE UND EREIGNIS. Spiel und Erzählen bei Harun Farocki“ Vortrag von Christine Lang, 30. Mai Akademie der Künste Wien + 31. Mai MUMOK |
H1 | quotation of the month: kitsch and death |
H1 | Zitat des Monats, Dezember 2016 |
H1 | Die Möglichkeiten des Genres visuell ausloten |
H1 | Alfreds Band und DIE NATUR VOR UNS |
H1 | Zitat des Monats / Quotation of the Month – Oktober / October 2016 |
H1 | Why audience is not the measurement – by Kerstin Stutterheim |
H1 | Zitat des Monats – Sept 2016 |
H1 | The Rehearsal as Metaphor for Metamorphosis: The Pictorial Dramaturgy in Velázquez’s The Spinners, or The Fable of Arachne – by Christine Lang |
H1 | Die Dramaturgie der Filmmusik in FARGO (2014) – von Phillip Feneberg |
H1 | Women in Film & TV II. FROM DARKNESS – by Kerstin Stutterheim |
H1 | Women in Film and TV Productions I – by Kerstin Stutterheim |
H1 | AS IF WE WERE SOMEBODY ELSE – Director’s Note von Christine Lang |
H1 | Was macht die Qualität eines Kinofilms aus? – von Christine Lang |
H1 | GAME OF THRONES – eine postmodern gestaltete Serie – von Kerstin Stutterheim |
H1 | Trauma, Guilt, and Ethics in BETIPUL and IN TREATMENT. The Universalist Approach and (Jewish) Particularism of Psychoanalysis in Transnational Television – by Michaela Wünsch |
H1 | „Handbuch Angewandter Dramaturgie“ (Vorab-Auszug, S. 200-206) – von Kerstin Stutterheim |
H1 | Link: HYSTERIA | GEDICHTERBE. Audio von AGF – Text von Christine Lang |
H1 | Reales Erpressen, symbolisches Morden und Geheimnisse des Imaginären. Die US-Fernsehserie THE SOPRANOS – von Jan van Loh |
H1 | Zitat des Monats – Walter Gropius |
H1 | Hinweis: HKW Konferenz | Mit Farocki denken |
H1 | Visual dramaturgy in MULHOLLAND DRIVE – by Christine Lang (update 2016) |
H1 | Hinweis: Handbuch des Antisemitismus. Judenfeindschaft in Geschichte und Gegenwart | Handbook of Anti-Semitism. Anti-Semitism Past and Present |
H1 | Zitat des Monats – Bertold Brecht |
H1 | Eine Erinnerung an die Bauhaus-Fotografin Etel Fodor-Mittag – von Kerstin Stutterheim |
H1 | Hinweis: Screenwriting Research Conference 17-19 Okt 2014 @ Filmuniversität Babelsberg KONRAD WOLF |
H1 | Zitat des Monats – Gertrude Stein |
H1 | ROT, BLAU, GRÜN: Farbdramaturgie in BREAKING BAD – von Christine Lang |
H1 | Streifzug durch die Geschichte des brasilianischen Films aus Bahia, Teil 2 |
H1 | Streifzug durch die Geschichte des brasilianischen Films aus Bahia, Teil 1 – von Kerstin Stutterheim |
H1 | Zitat des Monats – Theodor W. Adorno |
H1 | Notizen zu DANCE GIRL DANCE von Dorothy Arzner (USA 1940) – von Christine Lang |
H1 | Trap Music in SPRING BREAKERS – von Christine Lang |
H1 | VIDEOGRAMME EINER REVOLUTION Einführung im Arsenal Kino, 2.3.2014 von Christine Lang |
H1 | Rezension: Dramaturgie und Ästhetik im postmodernen Kino | Hans Helmut Prinzler |
H1 | Zitat des Monats – David Lynch |
H1 | Hinweis: Im Schüren-Verlag: „Come and play with us. Dramaturgie und Ästhetik im postmodernen Kino“ |
H1 | Hinweis: !Regie führt eine Frau! Lehrforschungsseminar an der HFF Konrad Wolf |
H1 | Zitat des Monats – Norma Marcos |
H1 | Zitat des Monats – Theodor W. Adorno Text-Duplikat |
H1 | Zitat des Monats – Bertolt Brecht |
H1 | Hitchcock’s SPELLBOUND – wie Alfred Hitchcock von der dramatischen Struktur ablenkt – von Dr. Kerstin Stutterheim |
H1 | Zitat des Monats – Francois Truffaut |
H1 | Zitat des Monats – Virginia Woolf |
H1 | Bilderwelten des Dokumentarischen: Zwischen Hoffnung und Restriktion – von Kerstin Stutterheim |
H1 | Zitat des Monats – Albrecht Koschorke |
H1 | Der Hirschkäfer reist zum Marianengraben. Ein Streifzug durch die Geschichte des Naturfilms – von Kerstin Stutterheim |
H1 | Zitat des Monats – Bruce Chatwin |
H1 | Hinweis: The Idea of love in the tv serial IN TREATMENT by Christine Lang |
H1 | Was ist Künstlerische Forschung? – von Kerstin Stutterheim |
H1 | Zitat des Monats – Jurij M. Lotman |
H1 | Figur und Charakter im Film – von Kerstin Stutterheim |
H1 | Zitat des Monats – Béla Balázs |
H1 | Ist INCEPTION ein postmoderner Film? – ein Gespräch |
H1 | Architektur und Dramaturgie, zu Heinz Emigholz‘ PARABETON – PIER LUIGI NERVI UND RÖMISCHER BETON von Christine Lang |
H1 | Gehen dem deutschen Fernsehen die Darsteller_innen aus? – von Kerstin Stutterheim |
H1 | Was ist Filmdramaturgie – worüber diskutieren wir hier? – von Kerstin Stutterheim |
H1 | Implizite Dramaturgie in der Fernsehserie BREAKING BAD – von Christine Lang |
H1 | Jean-Claude Carrière at the Screenwriting Research Conference, Brussels, sept 8-10, 2011 |
H2 | GLAZ |
H2 | Still Life – The Good People of the Three Gorges (The Good People of The Three Gorges’ CH 2006 |
H2 | Leere Überschrift |
H2 | Der Auftakt |
H2 | Dramaturgie – ein kurzer Exkurs zur Einführung |
H2 | Suche |
H2 | Archiv |
H2 | Kategorien |
H2 | Meta |
H3 | Die Titelmusik |
H3 | Die Themen der Figuren Lester Nygaard und Lorne Malvo |
H3 | Weitere Entwicklung und Zusammengehörigkeit der beiden Themen |
H3 | Das Figurenensemble der Polizei |
H3 | Fazit |
H3 | Literatur |
H3 | Internet und Zeitungsartikel |
H3 | Audiovisuelles Material |
H4 | Lesters Thema |
H4 | Malvos Thema |
H4 | Das Sleigh Bell Motiv |
H4 | Mollys Thema |
H4 | Gus’ Thema |
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https://www.motionpictures.org... | Extern | MPA 2019 |
http://assets.uscannenberg.org... | Extern Subdomain | Inclusion Initiative |
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/archives/272 | Hinweis: The Idea of love in the tv serial IN TREATMENT by Christine Lang A-TITLE Permanent Link: Hinweis: The Idea of love in the tv serial IN TREATMENT by Christine Lang | |
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/archives/225 | Figur und Charakter im Film – von Kerstin Stutterheim A-TITLE Permanent Link: Figur und Charakter im Film – von Kerstin Stutterheim | |
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/archives/category/dramaturgie | Textduplikat | Dramaturgie |
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/archives/1945 | Textduplikat | International Women’s Day 2022 – thoughts for the day |
/archives/1932 | Textduplikat | A split protagonist – a dramaturgical view of Ash Taylor/Voq in STAR TREK: DISCOVERY (S 1+2) |
/archives/1928 | Textduplikat | Die Kinamo und der poetische Dokumentarfilm – Vortrag auf der ZDok2019 |
/archives/1919 | Textduplikat | Neuerscheinung: „Quality before Quality“ – Der Loop als subversive Strategie in I LOVE LUCY – von Christine Lang |
/archives/1906 | Textduplikat | Game of Thrones 8 – Finale – Stoppage. |
/archives/1897 | Textduplikat | Game of Thrones 8, Episode 5 – The Bells. Tidying up. |
/archives/1890 | Textduplikat | Game of Thrones 8 Episode 4 – The deconstruction of female characters, or Was GoTh ever a feminist series? |
/archives/1880 | Textduplikat | Game of Thrones 8 Episode 3 – Armageddon. The Long Night. |
/archives/1869 | Textduplikat | Game of Thrones 8.2 _ The Knight of the Seven Kingdoms. A few dramaturgical thoughts. |
/archives/1863 | Textduplikat | Game of Thrones 8.1 The art of the episode – beginning of the fifth act. |
/archives/1854 | Textduplikat | Women in Film and TV, VI – BLACK PANTHER (USA 2018) |
/archives/1852 | Textduplikat | upcoming event in Sheffield – Bauhaus 100 |
/archives/1848 | Textduplikat | Zitat des Monats: Usedom-Krimi |
/archives/1833 | Textduplikat | Still Life in Setzuan – ‚The Good People of The Three Gorges’ by Zhangke |
/archives/1819 | Textduplikat | „Das Szenarium ist gegen alle Erkenntnisse der Filmdramaturgie geschrieben!“ Dramaturgie und Erzählästhetik in Filmen von Frauen – von Christine Lang |
/archives/1814 | Textduplikat | quotation of the month |
/archives/1804 | Textduplikat | Dramaturgy – Dramaturg – Dramaturging : Zitat des Monats |
/archives/1799 | Textduplikat | Überlegungen zu Sport und Krimis im deutschen TV |
/archives/1785 | Textduplikat | ZWISCHEN RÄUMEN no borders no art – Ausstellung in der Galerie KuB Leipzig 24./25.11.2017 |
/archives/1782 | Textduplikat | So richtig stark sind TV-Heldinnen nur im Norden |
/archives/1777 | Textduplikat | Women in Film and TV productions V – Female Characters and Gender Construction in ‚TOP OF THE LAKE‘ |
/archives/1772 | Textduplikat | Women in Film and TV productions IV – Some thoughts about female characters in ‚Dunkirk‘ (Nolan 2017) and ‚Blade Runner 2049‘ (Villeneuve 2017) |
/archives/1767 | Textduplikat | Interview zu Staffel 7: «Game of Thrones»: «Family first, America first» in der NZZ |
/archives/1762 | Textduplikat | Harun Farocki Retrospective: Year by Year / Side by Side (october 2017) |
/archives/1757 | Textduplikat | Women in Film and TV – Game of Thrones VII/1-2 |
/archives/1752 | Textduplikat | Theatralität in GAME OF THRONES |
/archives/1745 | Textduplikat | ‚Game of Thrones‘ sehen — Dramaturgie einer TV Serie |
/archives/1736 | Textduplikat | 22.6.2017 „Kalte Probe“ Screening & Talk in der Galerie für Zeitgenössische Kunst, Leipzig |
/archives/1732 | Textduplikat | Secrets of Storytelling in Documentaries, Movies and Games – BU Inaugural Public Lecture at Lighthouse Poole |
/archives/1725 | Textduplikat | quotation of the month – Incoming, Mosse |
/archives/1717 | Textduplikat | „GRENZE UND EREIGNIS. Spiel und Erzählen bei Harun Farocki“ Vortrag von Christine Lang, 30. Mai Akademie der Künste Wien + 31. Mai MUMOK |
/archives/1688 | Textduplikat | quotation of the month: kitsch and death |
/archives/1645 | Textduplikat | Zitat des Monats, Dezember 2016 |
/archives/1639 | Textduplikat | Die Möglichkeiten des Genres visuell ausloten |
/archives/1611 | Textduplikat | Alfreds Band und DIE NATUR VOR UNS |
/archives/1608 | Textduplikat | Zitat des Monats / Quotation of the Month – Oktober / October 2016 |
/archives/1585 | Textduplikat | Why audience is not the measurement – by Kerstin Stutterheim |
/archives/1580 | Textduplikat | Zitat des Monats – Sept 2016 |
/archives/1564 | Textduplikat | The Rehearsal as Metaphor for Metamorphosis: The Pictorial Dramaturgy in Velázquez’s The Spinners, or The Fable of Arachne – by Christine Lang |
/archives/1538 | Textduplikat | Die Dramaturgie der Filmmusik in FARGO (2014) – von Phillip Feneberg |
/archives/1505 | Textduplikat | Women in Film & TV II. FROM DARKNESS – by Kerstin Stutterheim |
/archives/1497 | Textduplikat | Women in Film and TV Productions I – by Kerstin Stutterheim |
/archives/1354 | Textduplikat | AS IF WE WERE SOMEBODY ELSE – Director’s Note von Christine Lang |
/archives/1338 | Textduplikat | Was macht die Qualität eines Kinofilms aus? – von Christine Lang |
/archives/1294 | Textduplikat | GAME OF THRONES – eine postmodern gestaltete Serie – von Kerstin Stutterheim |
/archives/1282 | Textduplikat | Trauma, Guilt, and Ethics in BETIPUL and IN TREATMENT. The Universalist Approach and (Jewish) Particularism of Psychoanalysis in Transnational Television – b... |
/archives/1270 | Textduplikat | „Handbuch Angewandter Dramaturgie“ (Vorab-Auszug, S. 200-206) – von Kerstin Stutterheim |
/archives/1263 | Textduplikat | Link: HYSTERIA | GEDICHTERBE. Audio von AGF – Text von Christine Lang |
/archives/1182 | Textduplikat | Reales Erpressen, symbolisches Morden und Geheimnisse des Imaginären. Die US-Fernsehserie THE SOPRANOS – von Jan van Loh |
/archives/1176 | Textduplikat | Zitat des Monats – Walter Gropius |
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