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Name | Value |
---|---|
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author | Carina Bukuts, Sonja Borstner |
publisher | Carina Bukuts, Sonja Borstner |
copyright | Carina Bukuts, Sonja Borstner, Erik Sachse, Anne Büttner |
description | PASSE-AVANT is an online magazine for contemporary art |
keywords | contemporary, art, magazine, journal |
page-topic | Kultur |
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og:description | PASSE-AVANT is an online magazine for contemporary art |
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Link | Attributes | Anchor text |
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https://passe-avant.net/ | PASSE-AVANT | |
/interviews | Interviews | |
https://passe-avant.net/features | Features | |
https://passe-avant.net/reviews | Reviews | |
https://passe-avant.net/opinions | Opinions | |
https://passe-avant.net/about | About | |
/reviews/knoten-und-wege-eine-... | Knoten und Wege: BOOM TOWN, eine Ausstellung an und zwischen vier Orten | |
https://passe-avant.net/reviews | review | |
/reviews/mama-mimi-duck-rachel... | I’m fine ǝɯ ǝʌɐs save me ǝuıɟ ɯ,ı: Rachel Maclean in der Kunsthalle Giessen | |
https://passe-avant.net/reviews | Text duplicate | review |
/interviews/l-agent-d-art-conc... | L'agent d'art: The conceptual world of Ghislain Mollet-Viéville | |
/interviews | interview | |
/reviews/the-eternal-burden-la... | The Eternal Burden: Landscapes of an Ongoing Past by Urbane Künste Ruhr | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/visiting-the-guest-room | Visiting the Guest Room: Encounters with the unusual everyday at Sammlung Pohl Marburg | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/sonic-sooth-fragment-... | Sonic Sooth: Fragments of Sonic Extinction at NEBYULA | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/parzellierung-sung-ti... | Parzellierung: Sung Tieu bei Trautwein Herleth | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/walking-with-eva-eise... | Walking with Eva Eisenlohr: Maximiliane Baumgartner at the Biennale für Freiburg 2 | |
https://passe-avant.net/reviews | Text duplicate | review |
/features/opferblech-toni-schm... | opferblech: Toni Schmale at basis | |
https://passe-avant.net/features | feature | |
/interviews/talking-objects-je... | TALKING OBJECTS Wissen dekolonialisieren und Archive herausfordern | |
/interviews | Text duplicate | interview |
/reviews/keine-leichte-sache-l... | Keine leichte Sache. Lin May Saeed in der GAMeC | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/resurrected-in-times-... | Resurrected in Times of Need: Jenine Marsh at Ashley Berlin | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/the-9th-biennale-gher... | Strudel and Melancholia: Re-reading the 9th Biennale Gherdëina | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/swimming-upstream-the... | Swimming Upstream. The Way of the Water, Tangente St. Pölten | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/marking-one-s-territo... | Marking One’s Territory: VALIE EXPORT at C/O Berlin | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/the-movable-type-kay-... | The movable type Kay Rosen – Now And Then | |
https://passe-avant.net/reviews | Text duplicate | review |
/interviews/vampire-facelift | Vampire Facelift Teodora Talhoș in conversation with Daniela Kneip Velescu | |
/interviews | Text duplicate | interview |
/features/notes-on-shared-real... | Notes on Shared Realities: Eine Ausstellung in zwei Kapiteln in Frankfurt | |
https://passe-avant.net/features | Text duplicate | feature |
/reviews/hidden-in-plain-sight... | Hidden in plain sight. Daniel Moldoveanu at GROTTO, Berlin | |
https://passe-avant.net/reviews | Text duplicate | review |
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/interviews | Text duplicate | interview |
/reviews/in-hulle-und-fulle-ke... | In Hülle und Fülle: Kenny Dunkans hybride Räume | |
https://passe-avant.net/reviews | Text duplicate | review |
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https://passe-avant.net/opinions | opinion | |
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https://passe-avant.net/reviews | Text duplicate | review |
/reviews/what-remains-after-th... | What remains after the flood Nikita Kadan at 91 Galerie in Frankfurt | |
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/interviews | Text duplicate | interview |
/features/all-humans-raqs-medi... | Die Grenzen universitärer (Wissens)Räume: Kunst am Bau von Raqs Media Collective | |
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/reviews/henrike-naumann-14-wo... | Spuren rassistischer Gewalt Henrike Naumanns Rauminstallation ,14 Words' | |
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/reviews/loss-of-lightness-cam... | Loss of lightness Exposure / Double Exposure | |
https://passe-avant.net/reviews | Text duplicate | review |
/reviews/lampen-kompositum-doo... | Lampen-Kompositum Lampenausstellung | |
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https://passe-avant.net/reviews | Text duplicate | review |
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/reviews/bridging-histories-ku... | Bridging Histories: Künstlerische Begegnungen in der Kunsthalle Mainz | |
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/reviews/with-out-words-kunstv... | With(out) Words Die Ausstellung „Words Don't Go There“ im Kunstverein Braunschweig | |
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/reviews/dreaming-buried-promi... | Dreaming Buried Promises Anew at the 35th Ljubljana Biennale | |
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/features/park-a-negotiation-o... | PARK – A Negotiation of History Through Space | |
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/features/operative-trace-dome... | Operative Trace The conspiratorial art of Andrej Škufca | |
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/reviews/texturen-des-begehren... | Texturen des Begehrens Leda Bourgogne | |
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/reviews/windows-in-our-hands-... | Windows in our hands Gwenn Thomas, with inserts by David Gruber and Alexander Jackson Wyatt | |
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/reviews/what-remains-after-th... | Text duplicate | What remains after the flood Nikita Kadan at 91 Galerie in Frankfurt |
https://passe-avant.net/reviews | Text duplicate | review |
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/reviews/loss-of-lightness-cam... | Text duplicate | Loss of lightness Exposure / Double Exposure |
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