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description | The online home of Screen International, posting breaking film news, the latest film reviews and reports from film festivals and film awards around the world. |
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Jerarquía de encabezados | Contenido |
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H2 | Top stories |
H2 | 11 talking points from the 2024 Cannes Film Festival |
H2 | Cannes Competition title ‘All We Imagine As Light’ snapped up for UK-Ireland (exclusive) |
H2 | ‘The Seed Of The Sacred Fig’: Cannes Review |
H2 | ‘All We Imagine As Light’ takes joint lead on Cannes jury grid; ‘Beating Hearts’ lands bottom |
H2 | Coralie Fargeat’s Cannes Competition title ‘The Substance’ scores multiple international deals |
H2 | 11 talking points from the 2024 Cannes Film Festival Texto duplicado |
H2 | Cannes Competition title ‘All We Imagine As Light’ snapped up for UK-Ireland (exclusive) Texto duplicado |
H2 | ‘The Seed Of The Sacred Fig’: Cannes Review Texto duplicado |
H2 | ‘All We Imagine As Light’ takes joint lead on Cannes jury grid; ‘Beating Hearts’ lands bottom Texto duplicado |
H2 | Coralie Fargeat’s Cannes Competition title ‘The Substance’ scores multiple international deals Texto duplicado |
H2 | Must Read |
H2 | Why the remake rights market is buzzing |
H2 | ‘Super Size Me’ director Morgan Spurlock dies aged 53 |
H2 | UK and Ireland box office preview: ‘Furiosa’, ‘The Garfield Movie’ face off |
H2 | ‘Dancing Queen’ sequel pre-sells widely as filming starts in US, Denmark and Norway (exclusive) |
H2 | ‘The Count Of Monte-Cristo’: Cannes Review |
H2 | ‘All We Imagine As Light’: Cannes Review |
H2 | ‘Universal Language’ wins inaugural Cannes Directors’ Fortnight audience award |
H2 | ‘Beating Hearts’: Cannes Review |
H2 | ‘The Other Way Around’ wins Cannes Directors’ Fortnight Europa Cinemas prize |
H2 | Cannes Close-Up |
H2 | Cannes Close-Up: Fionnuala Halligan on leading Screen’s reviews machine |
H2 | Cannes Close-Up: Provence Studios’ Olivier Marchetti on the joys of shooting in the south of France |
H2 | Cannes Close-Up: Spanish producer Beli Martinez on why patience is key at Cannes |
H2 | Cannes Close-Up: MPC’s Beatrice Bauwens on France’s booming VFX industry |
H2 | Cannes Close-Up: Spanish producer Valérie Delpierre on making new contacts |
H2 | Cannes Close-Up: Producer José Alba on searching for co-pro partners |
H2 | Cannes Close-Up: producer Dimitri Rassam on shooting in France, advice for Cannes newcomers |
H2 | Cannes Close-Up: Spanish director Elena López Riera on a memorable celebrity encounter |
H2 | Cannes Close-Up: Element’s Ed Guiney on having three films in official selection |
H2 | Cannes Close-Up: Film France’s Daphné Lora on five reasons to shoot in France |
H2 | Cannes Close-Up: Anton’s Louis Balsan on his most memorable deal |
H2 | Cannes Close-Up: producer John Bernard on helping Hollywood shoot in France |
H2 | Latest news |
H2 | We Are Parable, Jamaica Film team up for UK Black and Caribbean filmmaker showcase |
H2 | ‘Ernest Cole: Lost And Found’, ‘The Brink Of Dreams’ share Cannes documentary award |
H2 | ‘Misericordia’ goes to Janus and Sideshow for North America |
H2 | Korean action thriller ‘Escape’ lands key sales at Cannes for US, Europe, Asia (exclusive) |
H2 | 2024 film festivals and markets calendar: latest dates |
H2 | UK-Ireland film cinema release dates: latest updates for 2024 |
H2 | Universal sets Steven Spielberg event film for summer 2026 |
H2 | Anita Hill’s Hollywood Commission launches workplace abuse reporting tool |
H2 | ‘Leave The World Behind’ tops Netflix viewing chart for second half of 2023 |
H2 | Netflix takes Cannes package ‘Monsanto’ in big market deal |
H2 | Magnet takes North American rights to Michiel Blanchart’s ‘Night Call’ |
H2 | International production execs talk prioritising sustainability in the film industry |
H2 | Mohammad Rasoulof talks fleeing Iran and making Cannes Competition title ‘The Seed Of The Sacred Fig’ |
H2 | Reviews |
H2 | ‘Across The Sea’: Cannes Review |
H2 | ‘Nasty - More Than Just Tennis’: Cannes Review |
H2 | ‘Niki’: Cannes Review |
H2 | ‘Motel Destino’: Cannes Review |
H2 | ‘Jim’s Story’: Cannes Review |
H2 | ‘Filmlovers!’: Cannes Review |
H2 | ‘Grand Tour’: Cannes Review |
H2 | ‘Being Maria’: Cannes Review |
H2 | ‘The Brink Of Dreams’: Cannes Review |
H2 | Features |
H2 | Why no one knows how to talk about Israel and Gaza |
H2 | My Screen Life: Lionsgate UK’s Marie-Claire Benson on the UK-focused acquisitions strategy |
H2 | Celebrating the winners of the 2024 Global Production Awards |
H2 | The 18-year journey to make Cannes Competition title ‘Beating Hearts’ |
H2 | “Genre is political”: Emma Benestan talks about her Critics’ Week closer ‘Animale’ |
H2 | ‘Santosh’ producer on the freedom of filming in India |
H2 | More stories |
H2 | Magnet takes North American rights to Michiel Blanchart’s ‘Night Call’ Texto duplicado |
H2 | International production execs talk prioritising sustainability in the film industry Texto duplicado |
H2 | Mohammad Rasoulof talks fleeing Iran and making Cannes Competition title ‘The Seed Of The Sacred Fig’ Texto duplicado |
H2 | “It’s not restricted to admissions”: Euro execs examine impact of UK indie film globally |
H2 | Gravitas picks up Canadian comedy ‘Mother Of All Shows’ for the US (exclusive) |
H2 | ‘Grand Tour’ impresses on Cannes jury grid; ‘Motel Destino’ sees mixed results |
H2 | Producers Fiona Lamptey and Ameenah Ayub Allen attend Diversity In Cannes celebration |
H2 | 2024 film and high-end TV productions shooting in the UK and Ireland: latest updates |
H2 | Hot Docs takes “crucial step” to temporarily close Toronto cinema |
H2 | ‘Simon Of The Mountain’ wins top Cannes Critics’ Week prize |
H2 | Raven Banner closes US, international deals on ‘Rendel: Cycle Of Revenge’ (exclusive) |
H2 | Sideshow, Janus Films acquire Un Certain Regard selection ‘Flow’ |
H2 | Frameline LGBTQ+ festival reveals 120-film line-up |
H2 | Pyramide beefs up sales for Louise Courvoisier’s Un Certain Regard title ‘Holy Cow’ (exclusive) |
H2 | Anton set for major expansion following €100m funding boost from BlackRock |
H2 | Sean Baker’s ‘Anora’ storms to top of Cannes jury grid; ‘Parthenope’ divides critics |
H2 | UK culture secretary grilled on AI, failed apprenticeship system by culture, media and sport committee |
H2 | ‘Anora’ director Sean Baker says sex workers should be decriminalised, teases next project |
H2 | Salim Kechiouche to shoot ‘Wolf Dreams’ in Algeria as country makes big Cannes comeback (exclusive) |
H2 | Cannes Close-Up: Fionnuala Halligan on leading Screen’s reviews machine Texto duplicado |
H2 | UK In Focus |
H2 | From veggie burgers to ‘Reuse Hubs’: the smart ways UK film and TV productions are hitting sustainability targets |
H2 | Stars of Tomorrow |
H2 | Screen unveils 2023 UK & Ireland Stars of Tomorrow |
H2 | In pictures: Mental health in the film industry Cannes panel |
H2 | In pictures: Mongolian projects pitched in Cannes |
H2 | In pictures: South African film industry celebrates in Cannes |
H2 | In pictures: Mallorca film industry gathers in Cannes |
H2 | In pictures: Hong Kong at Cannes |
H2 | Why Irish film is in rude health in 2024 |
H2 | In pictures: launch of ‘Hong Kong Classics Reimagined’ at Cannes |
H2 | Joy Films offers creative services, integrated AI solutions and long-form content |
H2 | In pictures: India at Cannes panel 2024 |
H2 | Latest Video |
H2 | ‘The Shameless’: first trailer for Un Certain Regard Indian forbidden-romance thriller (exclusive) |
H2 | Need more from Screen? |
H3 | Subscribe to Screen International |
H3 | ‘The Shameless’: first trailer for Un Certain Regard Indian forbidden-romance thriller (exclusive) Texto duplicado |
H3 | ‘Phantoms Of The Sierra Madre’: first trailer for CPH:DOX title about lost Apache tribe in Mexico (exclusive) |
H3 | ‘Johatsu – Into Thin Air’: first trailer for Thessaloniki Docs, CPH:DOX title (exclusive) |
H3 | ‘Shambhala’: first trailer for Nepal’s first-ever Berlinale Competition entry (exclusive) |
H3 | First trailer released for Berlin animation ‘Fox And Hare Save The Forest’ (exclusive) |
H3 | First trailer released for Berlin title ‘The Great Phuket’ (exclusive) |
H3 | Subscribe to Screen International Texto duplicado |
H3 | Events |
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/news/gravitas-picks-up-canadi... | Gravitas picks up Canadian comedy ‘Mother Of All Shows’ for the US (exclusive) IMG-ALT Mother Of All Shows Still 1 - Wendie Malick | |
/news/buyers-flinch-in-cannes-... | Buyers flinch in Cannes as sellers ramp up asking prices IMG-ALT Emilia Perez | |
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/reviews/the-count-of-monte-cr... | ‘The Count Of Monte-Cristo’: Cannes Review IMG-ALT The Count Of Monte-Cristo | |
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/features/cinema-is-back-five-... | “Cinema is back”: Five leading UK sales agents talk theatrical outlook, the indie tax credit and AI IMG-ALT From left: Alison Thompson, Stephen Kelliher, Gabrielle Stewart, George Hamilton, Sarah Lebutsch | |
/features/eva-yates-on-her-vis... | Eva Yates on her vision for BBC Film IMG-ALT Eva Yates_BBC Film_245__YR_4070A_CREDIT Tom Dymond | |
/features/alison-owen-talks-am... | Alison Owen talks Amy Winehouse biopic 'Back To Black', new 'Wuthering Heights' film (exclusive) IMG-ALT 4213_D033_00106_R | |
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/news/all-we-imagine-as-light-... | ‘All We Imagine As Light’ takes joint lead on Cannes jury grid; ‘Beating Hearts’ lands bottom IMG-ALT 'All We Imagine As Light', 'Beating Hearts' | |
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/news/uk-and-ireland-box-offic... | UK and Ireland box office preview: ‘Furiosa’, ‘The Garfield Movie’ face off IMG-ALT 'Furiosa', 'The Garfield Movie' | |
/news/kingdom-of-the-planet-of... | ‘Kingdom Of The Planet Of The Apes’ stays top at UK and Ireland box office; ‘IF’ opens second IMG-ALT 'Kingdom Of The Planet Of The Apes', 'IF' | |
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/news/universal-language-wins-... | ‘Universal Language’ wins inaugural Cannes Directors’ Fortnight audience award IMG-ALT Universal Language | |
/news/the-other-way-around-win... | ‘The Other Way Around’ wins Cannes Directors’ Fortnight Europa Cinemas prize IMG-ALT The Other Way Around | |
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/news/magnet-takes-north-ameri... | Subdominio Texto duplicado | Magnet takes North American rights to Michiel Blanchart’s ‘Night Call’ |
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